“The President Has Been Shot!” vs. Kennedy’s Last Days

When I discovered that two different accounts of Kennedy’s assassination had arrived at the Butler Center, I immediately grabbed them and started reading. Like so many people, I have a fascination with the Kennedys. I can’t pinpoint why exactly, but I’m guessing it’s a combination of my enchantment with mystery, glamour, politics, unexplainable tragedy, and story. Kennedy’s life—and death—are captivating stories, and two versions of Kennedy’s story are newly published for young adults in 2013: “The President Has Been Shot!”: The Assassination of John F. Kennedy by James L. Swanson, and Kennedy’s Last Days: The Assassination that Defined a Generation by Bill O’Reilly. Before I compare and contrast, I want to make a note about audience. Scholastic suggests that the Swanson book be for ages 12 and up, noted on the book jacket. O’Reilly’s book cover does not indicate an intended age, but after further research I discovered that Henry Holt and Co. notes on their website that the book “will captivate adults and young readers alike” (http://us.macmillan.com/kennedyslastdays/BillOReilly). Of course, librarians can choose where to shelve this book, on what bibliographies to include this book, and what ages to steer this book to in reader’s advisory conversations. Finding out the publisher’s intended age was important to me though, for one reason: As I was reading, I wondered, Why is there no mention of Kennedy’s affairs? Both of these titles are not picturebooks or nonfiction titles intended for early elementary children. They are written for older kids—tweens and teens. Of course, many might argue that Kennedy’s philandering might not be appropriate for tweens, but then I beg the inevitable question. Why are we okay with telling them about extreme violence? Both books have large pictures of rifles and handguns. Of the assassination, Swanson’s book states, “[The third bullet] cut a neat hole through [the president’s] scalp and perforated his skull. The velocity, the pressure, and the physics of death did the rest. The right rear side of the president’s skull blew out—exploded really—tearing open his scalp, and spewing skull fragments, blood, and brains several feet into the air where it hung for a few seconds, suspended in a pink cloud” (113). Similarly, O’Reilly states, “The next bullet explodes his skull…it slices through the tender gray brain matter before exploding out the front of his head” (207). It is bothersome to me that both authors consciously eliminated sexual content for a young adult audience, but were perfectly fine with descriptive violence. I understand the importance of preserving JFK’s legendary status and historical importance, but this is a book of nonfiction, and kids deserve to know the whole story. The intended elimination reminds me of Ingri & Edgar Parin d’Aulaire’s Caldecott winning book Abraham Lincoln, in which there is no mention of Lincoln’s assassination. Do we think we are protecting young adults by eliminating facts? Do we think they won’t find out? What is it that is so much more terrifying about sex than exploding brains, spewing skull fragments, and revolvers?

president bookSwanson’s book establishes a strong narrative flow immediately. His writing is detailed, jargon-free, and action-packed. He is always able to put his reader right inside the story while using a third-person point of view. Swanson knows how to paint a picture, and emphasizes significant things that are not just arbitrary. I’ve read so much about the Kennedys and I never had read this: When Jackie got off the plane in Dallas, she was given red roses EVEN THOUGH the state flower was the yellow rose. Apparently, “so many of them had been ordered for the various events the Kennedys would attend in Texas that local florists had run out of them” (87-8). Pretty eerie that Jackie would be given red roses in the city that her husband would be assassinated in only minutes later. Never-before seen photographs are released in this book, and Swason’s charts and graphs are descriptive and compelling. Swanson details Oswald’s every move through text and picture, even recreating his view of Elm Street from the 6th floor of the Texas School Book Depository. Several photographs of the seconds after the violent shots are shown from varied angles, displaying Clint Hill covering the president and Jackie with his own body. Swanson’s biggest accomplishment is his ability to keep the tension high while keeping facts straight; I didn’t want to put the book down.

kennedy bookWhile I’m not normally a fan of O’Reilly’s politics, I went into this book with a distinct conviction to be unbiased. O’Reilly starts his book off with a personal touch, describing where he was and how he felt on November 22, 1963. He outlines his book into four parts—The Making of a Hero, The Making of a Leader, Dallas, Texas—November 1963, and The Making of a Legend. The chapters alternate perspectives, recounting the parallel time frames of the lives of Kennedy and Oswald. It is an interesting approach the illuminates personality traits of both men. Using present tense, O’Reilly attempts to place his reader directly into the narrative, as if it is happening right now. The thing is, Swanson does that with past tense and it makes much more sense. One does not need to write in present tense in order to make a story come alive. In fact, because the book often needs to use past tense for historical background and context, it is strange to jump back and forth between tenses. Yet, O’Reilly writes with respect towards JFK and loyalty to his country. I was bothered by some of the assumptions made, specifically about people feeling certain things. For example, O’Reilly states , “Jackie Kennedy likes to think of herself as a traditional wife, focusing most of her attention on her husband and children” (55-6). First of all, how do we know what Jackie Kennedy felt about her role as a wife? Secondly, I have read the contrary. Rather than focusing on her family and children, Jackie took several trips abroad without her children, and very rarely had to do the things that many “traditional mothers” have to do—change dirty diapers, cook breakfast, do the dishes, clean the laundry. While I’m not doubting Jackie’s loyalty to her family, I do doubt O’Reilly’s statement that she was a traditional wife. In the memoir Mrs. Kennedy and Me, by Clint Hill (Jackie’s personal secret service agent), Hill describes Mrs. Kennedy in a way you’ve never known her before. It’s definitely a book to read if you like all things Kennedy.

It is difficult to be an author that follows up a fabulous year of narrative nonfiction, and let’s face it—2012 rocked. These two authors do a good job with building and maintaining a tense, politically-charged, mysterious story about a piece of contemporary history. When I grew up, history was just history to me. It all seemed the same, and numbers never had much significance for me, because I just had to MEMORIZE them. I probably became fascinated with the Kennedys because my parents constantly told me about that time period—it’s when they grew up. I remember the realization of “Woah. Civil Rights wasn’t long ago. This assassination (and Bobby Kennedy’s and Martin Luther King’s) was one lifetime away from me.” Kids in middle school and high school now don’t have as many parents that remember this time. It’s up to great nonfiction writers to preserve the past and keep the story alive. Swanson’s book available in October; O’Reilly’s in stores now.

The 39 Deaths of Adam Strand

adam-strandThe 39 Deaths of Adam Strand
Gregory Calloway
Dutton Juvenile, 2013

Teens looking for answers will not find them in Gregory Galloway’s The 39 Deaths of Adam Strand.

Although this is a book about suicide and depression, it is not a classic “problem novel.” Adam Strand has not been persecuted for his beliefs or sexuality. His parents are not abusive or uncaring. He has no body image issues or drug addictions. He’s just inexplicably drawn to the act of killing himself.

But in a sisyphean twist, Adam can never complete this act. Every time, no matter what method he chooses, Adam is fantastically returned to life. 

Galloway is very much aware that he is writing a kind of teen introduction to The Nausea. He even creates a concerned teacher who constantly recommends Kafka and explains Camus. Like any existential protagonist, Adam is unmoved. But the dialogue serves as a nice supplementary reading list for teens that are drawn to the philosophical issues the novel raises. 

Like Adam’s teacher in the novel, I must admit that I often have ulterior motives when I recommend a book. I recognize his hope, his deeply-rooted faith that one of these works will resonate with the troubled teen and inspire him to turn his life around.

There is no such transcendent moment for Adam. And most of the time there’s none for the teens I work with either.

Still, in the life of a transparent nerd and sentimental optimist there are little victories. Books like this one can be the spark of curiosity that have the potential, at least, to open up an entire world of literature.  When you hand a strange, complicated novel like this one to a teen, how can you not secretly hope that he or she will come back and ask who this Kafka guy is?

Out of the Easy

Image

Out of the Easy

by Ruta Sepetys

Philomel, 2013.

Ruta Sepety’s second novel, Out of the Easy, is set in a world of cigarette smoke, shadows, and bourbon. It’s 1950 in the french quarter of New Orleans. Josie is a smart girl with hopes of college, but the city feels like a cage. Her mother is a call girl at a well-known brothel and a highly publicized murder has caught them both in a web of lies and secrets. A supporting cast of prostitutes, errand boys, madames, and madmen completes the picture.

In short, this is a noir.

And noir is a rare setting for a YA novel. Perhaps authors assume that the iconic imagery and archetypal characters will be unrecognizable to the Millennial generation. Maybe they are uncomfortable with the femme fatale and the mess of gender stereotypes that come with her. Or maybe they just don’t like it.

But there’s more to noir than snappy dialogue and shoulder pads. Beyond the private eyes and sexual innuendos are themes of misrepresentation, moral ambiguity, betrayal, and alienation. Its perspective is cynical, depicting a world infested with lies and liars.

For many (myself included) adolescence is a period of not fitting in, feeling that the world around you is obscure and impossible to navigate, like being lost in a maze. Sometimes, at least, it can feel like noir.

Which is why Sepetys’ choice of setting feels so right for a young adult audience. When Josie realizes that she has only herself to blame for the web of self-serving lies and half-truths she has has been spinning, she is both the quintessential young adult and the quintessential noir anti-hero.

Scowler


Image
Scowler

by Daniel Kraus

Delacorte, 2013

As always in a Daniel Kraus novel, there’s plenty going on and it’s all terrible.

In Scowler, Kraus’ latest, two monsters threaten the lives of nineteen-year-old Ry, his mother, and his younger sister. The first is Ry’s father. Abusive and cunning, he has escaped from prison with plans to slaughter his family. The second threat is Ry himself. Or rather, Ry’s hallucinations of boyhood toys, come to life, telling him what to do. (Plus, there’s a comet headed for the family’s farm.)

But with all the gruesome twists and turns of the plot, there’s one early scene that stands out to me. I can’t seem to shake it.

Ry recalls a morning after one of his parents’ violent fights. His father has left and he breaks into his parents’ locked bedroom. His mother has been sewn to the bed. Every part of her body, from her ear to each space in between her toes has been methodically threaded to the mattress.  Ry gets scissors and begins the long process of removing every stitch. He recalls the details with tenderness:

“Ry felt the prim fealty of a nurse as he took up the pink fabric, shook out its crusty folds, and quartered it… He found a clean edge and swept beads of sweat from his mother’s lip and brow. Then he refolded it again and wiped the urine from her thighs and blotted what he could from the mattress. He discarded the fabric in the trash can and took up the shears. It was the most intimate thing he had ever shared with anyone.”

Daniel Kraus is masterful at confronting both his characters and readers with the meaty reality of the human body. He loves to expose our physicality and ultimately our mortality, turning our bodies into terror.

But it was the tenderness of this scene that shook me. In Ry’s response Kraus exposed a fear beyond the physical. It’s not just about losing a parent to death or violence. It’s about taking on the role of caregiver when a parent is weak and needy – losing a parent to adulthood.

The scene felt deeply familiar to me, reminding me of those moments when I was confronted with my own parents’ physical, mental, or emotional weaknesses. There is a unique blend of terror and love in those moments when a parent needs you more than you need them. And I think Daniel Kraus captured it perfectly.

I am at least ten years older than the intended audience of this book and my parents are significantly older than those of my peers. So perhaps this scene generates images and feelings for me that it would or could not for teen readers. But I suspect that for a lot of people the struggle of their teenage years is intricately tied to the loss of a parent, sometimes to death or illness, but more often to a painful recognition of their parents’ limitations. So while the scene may not feel familiar to all readers, it can still presage the inevitable consequences of adulthood.

Get well Tim Curry

News is emerging that actor Tim Curry is recovering from a stroke. Initial reports suggested that he had collapsed yesterday following a massive episode. More recent reports say that, while he collapsed in his LA home yesterday, the stroke occurred last July, and he has been recovering (well) ever since. In any event, I wish him very well.

rocky horrorWhen I was in High School I went to midnight showings of the Rocky Horror Picture Show week after week (after week) at the Coventry Cinema in Cleveland Heights. I think its fair to say that the experience had a profound effect on my adolescence, offering an indelible, albeit particular, affirmation of different ways of being. Watching and eventually joining the participatory irreverence, throwing toast, spritzing rain, singing and dancing along, offered me a kind of community I really needed at the time. Who knew musical theater could be like that?!

annieSpeaking of musical theater, I refuse to apologize for the fact that I love all things Annie. I just do. Ask me about Kristen Vigard’s casting as the original red-mopped orphan and her replacement with Andrea McArdle after previews in Conecticutt. Heck, watch the Julie Stevens documentary, Life After Tomorrow (SJP!) if you want to know more about it. Anyhow, Curry plays Rooster in the 1982 movie version. There’s lots to love about the film, if you’re me, at least, including his sneaky, sinister performance. He’s brilliant. And, thinking back, it’s a little striking how much Carol Burnett, as Miss Hannigam. looks like Frank N. Furter. Huh.

But today I remember Tim Curry as an extraordinary narrator of audiobooks. My introduction to audiobooks came with my very first ALSC evaluation committee experience as a member of Notable Recordings for Children. Back then each of us was assigned a sampling of eligible recordings (cassette tapes!), based on the first letter of the title. I was assigned A-C, and received, relatively early in the year, the first of  Lemony Snicket’s Series of Unfortunate Events, The Bad Beginning. So charming. Curry’s arch, over-the-top narration makes the most of the tongue-in-cheek prose, honoring its playful irony and milking the humor. It’s just a little irresistible.

AbhorsenBut my favorite audiobook performance of all time must be his stunning readings of Garth Nix’s Abhorsen trilogy. It was such an interesting choice, casting a man to read these menacing novels about a family of necromancers in a centuries-old battle against conspiring evil, as all of the protagonists are young women. But once you hear Curry’s contemptuous reading of Mogget the familiar, and the positively dripping malevolence of Orannis, the baddest of the many baddies, you know the choice was just perfect. I have listened to all three, in sequence, at least five times, stem to stern, and they never disappoint. I recommend them all the time, and do so again today, to you.

So, here’s wishing Tim Curry a continued speedy recovery, with hopes that he finds his way back to the recording booth soon.

Emily’s Dress and Other Missing Things

“Emily Dickinson is the perfect thing to hand to a 16-year old girl,” advised fellow blogger lynchlibrarian recently. What is it about Emily? Indeed, I was 16 when I purchased my paperback copy of her complete works (at the local Borders bookstore, my idea of the cool hangout spot), and I vividly remember discussing “Success is counted sweetest” in my high school’s U.S. Literature class. Certainly I considered her words earlier and later in life, though not by much: an eager seventh grade teacher chalked “I never saw a moor” on the board for the daily quote; in my second year of college, fellow English majors and I spent the better part of a class dissecting the differences between her 1859 and 1861 versions of “Safe in their Alabaster Chambers” (the power — of a dash!).

So what is it about Emily that resonates during young adulthood? While increasingly introspective teens may be intrigued by her famously reclusive habits, it’s her words that truly inspire. At a time when teenagers feel pulled between their past and future selves, her voice simultaneously offers innocence and wisdom. As they encounter the terribly great problems of the world and personal decisions to make, her subject matter rings with the impossible brightness and darkness of life’s great questions. Through succinct, tender verses, Emily provides young people with a “nugget of pure truth” to grasp in their hands and hearts. (My Virginia Woolf obsession came later in life.)

  Feathers by Jacqueline Woodson   Emily's Dress and Other Missing Things

If young people miss out on enthusiastic teachers reading Emily’s poetry aloud, I’m happy to know they may also discover her in the pages of fiction. Jacqueline Woodson’s beloved Feathers (Putnam, 2007) perfectly pairs “‘Hope’ is the thing with feathers” with a story that examines the power of friendship over divisions and discrimination during the 1970s, a fragile, precariously hopeful time in our nation’s history. What a perfect story for a 12-year-old.

For older readers, Kathryn Burak’s novel Emily’s Dress and Other Missing Things (Roaring Book Press, 2012) explores Emily’s darker side. After experiencing personal tragedy, Claire and her father attempt to start fresh by moving to Amherst, Massachusetts, the home of Emily Dickinson. Claire is a poet herself  and finds herself drawn to Emily’s words, rich with poignant examinations of death, and to Emily’s house, now of course a museum where Emily’s personal belongings are artfully arranged for tourists to view. As if in a creative trance, she breaks in, night after night, to write while wearing Emily’s white dress — until the day the college-aged student teacher Tate discovers her. Instantly linked by this strangely intimate crime, they run, stealing the dress in the process. Burak’s poetry is the star of this novel, both in the actual verses Claire writes — the portals by which she gradually shares the tragic details of her past — and in the crisp, shimmering prose of Claire’s narration:

The smell of snow on the winter air fades. I take a deep breath. I smell paper. Here I have the cool, clean feeling of paper, too.

I am so glad to get away. To be in Emily Dickinson’s house.


With a frigate like this book, the reader will certainly agree.

Maggot Moon

maggot moon

Maggot Moon

by Sally Gardner

Candlewick/Brilliance Audio, 2013

There is so much I want to say about this book. So much. But each and every element or facet or consequence I might mention would rob you of the opportunity to experience it yourself, thereby diminishing your encounter. Even saying that much feels like something of a spoiler.

So I’ll make just these few short comments:

1) Every now and again you read something that feels actually new. This is one of those stories.

2) For a good while you will feel disoriented. Stick it out. It’s worth it.

3) There are some powerful, interactive spot illustrations in the print book that contribute to the mood. The audiobook is sharp and reserved and extraordinary. Take your pick.

4) Please read this book as soon as you can, then find me so we can talk about it.

Makankosappo Kamehameha

dragonballz6My friend Heath alerted me to this trend of Japanese young people sharing photographic interpretations of manga/anime energy cannons. I love so much about it: the appropriation of the theme and its translation to a new medium, the ironic juxtaposition of prim, restrained school uniforms and dynamic, energetic composition, and the contagious fun. Just look. For all of their serious machinations, they can’t help but grin. It’s no surprise that it’s catching on quick. It’s like planking only interesting.

My favorite thing, though, is its expressive process of story. All of this began with books, books that made a mark on the cultural consciousness that these kids feel the need to explore and share. In 2013, in a world suffused with gadgetry, this is how stories perpetuate themselves. We get so distracted by sensational arguments about the end of publishing and fling ourselves on the funeral pyre of the printed book, and miss the truth staring us in the face. Stories are there. Right in front of us, telling us something about ourselves, just like they always have. We just have to remember to look.

Thank you, Mr. Stork

Marcelo-in-the-Real-WorldMarcelo in the Real World

by Francisco X. Stork

Arthur A. Levine, 2009

Late to this literary shindig, I often find myself running (speed walking?) to keep up with my fellow bibliophiles. Better said, I’m discovering pots of gold that have long ago been plundered by my colleagues, but finding them nonetheless. Such is the case with Marcelo in the Real World. Content with studying at Paterson High School, (a special school for students with Asperger’s Syndrome) caring for horses and living in his own tree house, seventeen year old Marcelo Sandoval is challenged by his father to accept a summer job at his law firm. Marcelo reluctantly accepts and begins to feel and express emotions that he has never before recognized. As he learns to cope with this new world, what Marcelo once saw as clear lines between right and wrong, good and bad, and the like become fuzzy. The competitive nature and opposing viewpoints of this ‘real world’ create a far more challenging, often confusing reality for Marcelo.

As with many books of late, I experienced Marcelo as an audio book. Fellow listeners can attest to the utter deflation of a good book brought on by poor audio production. The audio starts off slow and I admit hovering my finger over the eject button on my CD player. Fortunately, I remained patient and soon the reader’s (Lincoln Hoppe) deliberately slow pace and hushed, deep tone became harmonious with Marcelo’s unique and wonderful thought processes. Though I have never had the occasion to read a book after listening to it, I most assuredly will do so with Marcelo. Indeed, not since The Miraculous Journey of Edward Tulane (Thank you, Ms. DiCamillo) has there been a creation I wished I had written. For those who have not yet read it, try listening to it. To those who have, I offer the same advice.

On the money (mostly)

Back in December we suggested some books as particularly holiday-giftable. Looking back, I see that among the eight books for young people we recommended, half were recognized at the ALA Youth Media Awards! We had the Newbery winner (The One and Only Ivan), The Sibert winner/Newbery honor book (Bomb: The Race to Build–and Steal–the World’s Most Dangerous Weapon), a Caldecott honor book (Extra Yarn), and a Printz honor book (Code Name Verity). Not bad for a day’s work.

The One and Only IvanbombExtra YarnCode Name Verity

 

 

 

 

You can find a link to all of the ALA award winning titles here.