Tag Archives: book review

The World Around Us: A review of Maptacular!

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Maptacular!
Laura Baker
Illustrated by Jorge De La Paz
Lonely Planet Kids
November 10, 2026
Age 8-12

Most maps divide the world by country borders, but what if it were split by favorite ice cream flavors, tallest trees, or global distribution of video gamers? Prolific children’s nonfiction author, Laura Baker, along with travel guide powerhouse Lonely Planet, offers middle grade readers this fascinating, infographic-like twist on cartography. Maptacular! features 70+ maps with chapters focused on countries, people, nature, transportation, history, and technology, then subdivided further into 2-page spreads exploring a single topic or question, such as “Do You Need a (School) Uniform?” or “Marco Polo’s Voyage.” The amount of easily digestible text varies from spread to spread, but most include a helpful key for understanding the map and fun facts associated with the topic, like that Australia is home to 28 million people and 40 million kangaroos (p24). Without a strong narrative structure, the title allows for consuming intriguing details at a reader’s own pace, either moving slowly through the ideas and images, or dipping in and out like a reference text, while wildly varied topics nurture curiosity about both the earth and the global community. Baker introduces deeper topics for consideration in age-appropriate ways, like that maps are organized the way they are (with Europe in the center) because they were developed by European explorers, gently encouraging readers to look at other things from a new perspective. De La Paz uses graphic design-inspired digital images in a candy-colored palette to clearly express the facts of each topic. Clean image overlays help simplify complex ideas, like the way Mercator Projection maps stretch out the land at the top/bottom of the globe. The inclusion of several wayfinding aids, an about section (explaining the parts of each spread), a world map, glossary, and resource list support both new nonfiction readers and those looking to dig deeper into a topic.

A vivid, info-packed guide for geography buffs and fun fact collectors alike.

Searching for Security: A Review of Comet’s Nine Lives

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Comet’s Nine Lives
Jan Brett
G.P. Putnam’s Sons, an Imprint of Penguin Random House
Ages 4-8
Available: October 6, 2026

 

When his first life slips away from him after eating some foxgloves, Comet the cat needs to find a home to keep his other eight lives intact. As his efforts turn into one misadventure after another, losing more lives in the process, Comet’s goal of finding a suitable shelter seemed further than ever. However, the safety he sought may be closer than he first thought. 

Jan Brett’s signature intricate and realistic art style shines once again in her latest picture book. Her trademark serene and cool watercolor illustrations and borders, which include seashells, sea creatures, seaweed, and wooden planks, capture the coastal ambiance of the story’s island setting. The watercolor paint isn’t super vibrant, but it is smooth and calm. Comet’s antics portrayed in the pictures spark exciting action despite the lack of bright colors. Brett’s prose doesn’t talk down to her audience. She uses sophisticated language in some areas, especially when a dog character feels outraged or frightened of Comet’s unwelcome presence. For instance, in one scene where a health inspector comes to an ice cream parlor and sees Comet, he proclaims, “Feline residues! Maximum infractions!” As Comet loses each life, Brett’s wording makes apt descriptions that match the situation presented in the illustrations. Overall, Comet’s Nine Lives is an exquisite read sure to charm both parents and young readers alike. Jan Brett fans would be proud to include this book in their collections. 

One Beary Cute Story: A Review of Mr. Crump, the Heartless Grump

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Mr Crump, the Heartless Grump
Pog
Illustrated by Stephanie Leon
Floris Books
Ages 4-7
Available August 18th, 2026

Mr. Crump is, frankly, a total grump. He has no manners, no patience, and absolutely no enjoyment of things like pigeons at the park. But the second he gets home, Mr. Crump suddenly becomes soft, snuggly, and sentimental—just like the enormous collection of stuffed teddy bears filling his house! One fateful Halloween, a group of trick-or-treaters mistake his beloved bears for treats and make off with the entire collection! Left with just Captain Snuggles, his oldest and most prized teddy, Mr. Crump begins to learn what it means to care for others. With his newfound generosity, the town discovers there’s more beneath his curmudgeonly exterior, and the children now know that Mr. Crump is far from a grump.

One of the most striking features of Mr Crump, the Heartless Grump are Stephanie Leon’s pencil illustrations. The soft lines give the characters depth and texture, while the color palette mirrors emotion. The town’s colors lean cooler, more muted, and a little distant, resembling Mr. Crump’s gruff, closed-off personality. But inside his home, everything warms up. There’s a gentle, golden glow that makes his space (and his bears) feel safe, tender, and inviting.

Paired with author Pog’s playful, slightly silly language and distinct vernacular, Mr Crump, the Heartless Grump feels lively, cozy, and inviting, making it a great choice for younger readers and especially strong as a read-aloud tale.

This Wood Make a Great Read: A Review of I Am Not Boring

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I Am Not Boring: The True-Life Story of a Log
Lena Podesta
Ten Speed Young Readers
Ages 3-5
Available May 26th, 2026

This log wants you to know that it is NOT boring! It might not talk, or sing, or eat, although countless creatures like fungi, lichens, and bugs make it their dinner. He might just sit there, but its cozy insides make for a great skunk home, and its mossy outsides are the perfect perch for a bird friend. The life of a log may not be glamorous, but it sure is useful.  

In tandem with the quirkiness of her characterizations, Lena Podesta’s illustrations bring our narrating log to life in a way that makes it feel anything but boring. The wood is textured with colored pencils, and the surrounding flora & fauna, with that same sketchbook-esque style, add depth and movement to each page. The animals are drawn in a playful, cartoon-like style that keeps the story fresh, fun, and approachable. The scientific concepts are woven in smoothly, and it helps that the log itself has a bit of an attitude, making this an engaging, entertaining blend of both non-fiction and narrative picture book. 

The backmatter includes all of the log’s roles: house, food, gardener, and helper, and Podesta’s author’s note adds a nice personal touch, sharing how she grew up flipping over logs and ended up discovering just how much life they can really hold. I Am Not Boring: The True-Life Story of a Log is a fun, informative read, bringing charm & wit to a topic we rarely see explored in science class. Maybe logs aren’t so boring after all! 

From A Rocky Start to Solid Pals: A Review of Still Friends

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Still Friends
Troy Wilson
Illustrated by Mike Deas
Orca Book Publishers
Ages 3-5
Available May 19th, 2026

On a routine trip to the neighborhood park with his owner, one friendly (and inquisitive!) pup notices a lone girl sitting on the bench. He wants to play, but she doesn’t move (or talk!). Nothing but stone-cold silence. But as the seasons pass and the months go by, he learns to appreciate her stability. She doesn’t make him go to the vet, or scold him when he eats a dropped hot dog, and maybe, after all, he can learn to love her for exactly what she is… rock solid.

The charm of this picture book lies not just in its endearing, offbeat premise—unlikely companionship between a statue and a dog—but also in its world. Quirky characters, like a recurring flock of nosy pigeons, the stern lady manning the hot dog cart, and a family of birds who just won’t stop eating seeds, let the story come alive; perfect small details for eagle-eyed younger readers. The words are simple and sparse, yet still emotionally resonant. Deas’ soft pastel and watercolor illustrations bring a warmth and nostalgia to the story, with thoughtful usage of white space and sketchily drawn lines that feel lived-in and familiar, keeping each page spread from feeling too cluttered with the chaos of this faux-Central Park.

All in all, Still Friends is a tenderly funny read, inviting young audiences to reconsider what friendship can look like—and how sometimes, the most unexpected companions are the ones who stay.

The Nature of Healing: A Review of To the Last Gram

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To the Last Gram
Shreya Davies
Illustrated by Vanessa Wong
Difference Engine
Ages 13+
Available May 12th, 2026

To the Last Gram follows eighteen-year-old Divya as she reflects on childhood insecurity and navigates her teenage years in a body that never feels quite right. What begins as an awareness of her weight quickly spirals into portion control and exercise obsession as Divya’s relationship with food—and herself—becomes more and more turbulent.

Shreya Davies approaches Divya’s coming-of-age story with a careful balance of honesty and tact, detailing the gradual descent into anorexia in a way that feels both deeply personal and painfully recognizable. What seems to linger most is the graphic novel’s understanding of food as something far more complicated & complex than just sustenance. Within Divya’s Indian-Singaporean upbringing, food is seen as love, ritual, and expectation; it’s something you can’t easily turn away from. That tension sits at the heart of the story, exploring Divya’s struggles in a cultural way, a narrative that’s seldom explored this carefully. Vanessa Wong’s illustrations carry that same emotional weight, their limited color palette and careful attention to the characters’ expressions highlighting just how quietly painful and incredibly nuanced disordered eating can be.

Although the story ends with hope, it never simplifies recovery. Davies leaves space for relapse, uncertainty, and for the ongoing nature of healing, being far from linear. To the Last Gram is unflinchingly honest and incredibly human: a resonant read that explores something sadly so many young adults face.

A Stick (Or Princess) In The Mud: A Review of Her Muddy Majesty of Muck

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Her Muddy Majesty of Muck
Beatrice Alemagna
Astra Books for Young Readers / Hippo Park
Ages 5-8
Available March 31st, 2026

Little Yuki and her older brother Shen are far from friends. Yuki has big feelings, and Shen has little patience for her stomps and tears. One afternoon on the walk home from school, Yuki, in a fit of rage, flings their house keys into the sewer. When she climbs down after them, she comes face-to-face with the Muddy Majesty of Muck: an ooey, gooey creature made entirely of mud. The Muddy Majesty takes Yuki on a journey underground, meeting Boogers who love to be mean, and trekking to a museum of objects left behind by those who lost their tempers once, too. Along the way, the Muddy Majesty explains that the meaner Yuki becomes, the bigger she grows. Yuki feels like she’ll be stuck underground forever, but then she spots Shen, who’s come to her rescue. The siblings reconcile, Yuki feels her anger melt away, and although the Muddy Majesty has now shrunk, Yuki promises to come back and visit her soon—to make mud pies, of course.

Alemagna’s incredibly charming illustrations, created through an endearing and eclectic potpourri of gouache, collage, oil paint, and wax pencils, make Her Muddy Majesty of Muck just as delightful visually as it is in its storytelling. The dialogue is simple yet incredibly effective, and the humor—snarky Boogers attempting to read or bathe or don heels and a muddy princess who can’t stop dripping—will appeal to younger and older readers alike. Most importantly, the story’s message resonates: we shouldn’t let our feelings consume us. Anger, envy, and sadness can be messy, but with persistence and love and maybe a nice shower, even the muddiest of feelings can eventually be washed clean.

Not a Long Time: A Review of Here for a Good Time

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Here for a Good Time
Kim Spencer
Penguin Random House Canada / Swift Water Books
Ages 14+
Available March 10th, 2026

It’s 1990, and teenage Morgan and her wild-child best friend, Skye, are two Indigenous girls “here for a good time,” drinking, flirting, and partying in Prince Rupert, a small Canadian fishing town. Morgan is no stranger to tragedy: her alcoholic mother abandoned the family years earlier, but her world completely collapses when her father is killed in a boating accident. When Morgan’s mother returns to town, grief—and recklessness—force her into an alternative school, where she falls for Nate Jones, a well-read Indigenous boy with suprisingly worldly taste. As the two grow closer, an unplanned teen pregnancy and an unexpected mother-daughter reunion force Morgan to confront how loss and love can coexist.

Although classified as historical fiction, Spencer—a member of the Gitxaala Nation herself—writes with poignant accuracy, tactfully balancing the turbulence of teenage life, from fake IDs to bad boyfriends, with the enduring impact of intergenerational trauma shaped by Canada’s residential school system. Despite the sparse sentences and short vignette-like scenes, Here for a Good Time delivers an emotional, impactful story that spotlights Indigenous resilience.

Spencer opens the novel with a brief heavy content warning, but doesn’t shy away from exploring difficult issues, including racism, alcoholism, and sexual assault. These honest portrayals have the power to be incredibly important for younger readers, providing a window into aspects of Indigenous life, culture, and tragic systemic abuse that are seldom represented by our history books.

Olive You, Too: A Review of The Giant and the Olive

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The Giant and the Olive
Leo Daly
Catalyst Press
Ages 4-10
Available February 3rd, 2026

Once there was a happy giant who did all the usual giant things—scaring cows and “Ho-Ho-Ho”-ing all day long. That is, until he stumbles upon what feels like the most beautiful treasure of all: a tiny, shiny black olive. He proudly shows it off to the town & his friends, kisses it goodnight, and tucks it under the covers each evening. But after one fateful, maybe-too-tight hug ends with a POP!, the giant is devastated by his broken treasure. Through all four seasons, he mourns, weeping over the olive’s grave. Things look bleak until one sunny morning, he discovers that his giant tears might’ve made for the perfect fertilizer; an olive tree has begun to grow!

Through simple dialogue that still effortlessly conveys big emotion, The Giant and the Olive tiptoes between grief and humor with a gentle charm, complemented by Daly’s color-packed, hatched illustrations. With themes that align naturally with social–emotional learning, the story emphasizes the importance of leaning on friends, or even an entire town, during moments of loss. This makes it a thoughtful learning & regulating tool for younger children, as well as older elementary readers who may be encountering heavy, hard feelings for the first time. Daly is careful not to paint grief and sadness as something to simply “get over,” as he makes sure to end with a final, encouraging (and perhaps giant) message: change and loss and olive (all of) one’s love can lead to new, beautiful beginnings.

All You Need Is Love: A Review of We All Love

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We All Love
Julie Flett
Greystone Books / Greystone Kids
Ages 3+
Available February 10th, 2026!

From snuggling otters & hand-holding crabs under the sea to a family fireside bundled up in the cold, we all love. Flowers dance in the wind. Big stars illuminate the night. Warm stones make the perfect perch for a plover. The stories of flora & fauna are the stories of love—all around us, inside us, and they, as author Julie Flett suggests, help us grow.

As a sequel to the award-winning We All Play, Julie Flett returns, even five years later, with the same easy-to-read charm that made the original so beloved. The book maintains its distinctly handmade feel through soft pastel illustrations and simple yet poetic sentences that are perfectly suited for younger readers. Throughout the book, a recurring Cree phrase, kîstanaw mîna, meaning “we do too!” appears across various pages, reinforcing the central message of shared experience, interconnectedness between nature, and belonging. A helpful glossary of Cree animal names alongside their English counterparts is included, as well as pronunciation guidance that invites readers to engage more confidently with the language. The glossary thoughtfully notes that many Cree words don’t have direct English translations, instead reflecting a fluid process of innovation and creation rooted in Cree culture. Because of this, the book functions not only as a story but as a gentle educational tool.

We All Love is a great semi-bilingual introduction for readers interested in exploring a new language, particularly one that may be unfamiliar to most, while honoring Julie Fleet’s Cree-Métis roots in Indigenous language and knowledge. Through its celebration of nature, language, and connection, We All Love is the perfect affirmation that love surrounds us.