Roundhouse Kick Retelling: A Review of Little Red Riding Hood and the Dragon

Little Red Riding Hood and the Dragon
Ying Chang Compestine
Illustrated by Joy Ang
Abrams Books for Young Readers
November 1st, 2022
Ages 4 to 8

Little Red Riding Hood and the Dragon depicts a refreshing Chinese twist on the age-old folk tale of Little Red Riding Hood, as told by the wolf from the original. But this Little Red knows kung fu and carries a sword, which is why her mother feels safe sending her to grandmother, or Nainai’s house, when she’s sick. Making her way to Nainai’s house, Little Red is tricked by a dragon and uses her quick wit and traditional Chinese instruments to save Nainai and herself, making her the hero of her own story.

Although Little Red Riding Hood knows how to defend herself, she doesn’t use much force when trying to escape the dragon’s belly, just cleverness. This provides deeper character depth than the original tale. More in line with the original tale, many other characters in this picture book aren’t focused on besides Little Red Riding Hood. As the big bad wolf is looked at as an antagonist in other folktales, his perspective as narrator is a unique element that refocuses the story now on a Chinese dragon as the antagonist. The digital art and vivid colors in Ang’s illustrations lend a modern sensibility to the ancient setting and traditional tale, and add a further twist to the retelling. Detailed backmatter contains Compestine’s author note on her inspiration for this twisted tale, her motivation to include certain Chinese elements, and a deeper look into Chinese culture and heritage. Young readers will enjoy this “real” version of the story, and grown up readers will get a chuckle out of the wolf’s audience in the final spread. Messages of empowerment, problem-solving, and not waiting for a huntsman savior are the real beauty of this twisted tale.

Women and Wealth Redistribution: A Review of The Forest Queen

The Forest Queen by Betsy CornwellThe Forest Queen
Betsy Cornwell
HMH/Clarion Books, August 2018

“Steal from the rich, give to the poor” gets a fresh take in this gender-swapped retelling of the classic Robin Hood tale. Sylvie, sixteen and lady of Loughsley Abbey, begins to question her family’s treatment of the people of Loughsley – especially now that her brother, John, is the unforgiving sheriff. With her childhood friend, Bird, she runs away and lives in hiding in the nearby woods. Slowly, others from Loughsley join them in their new community, including a young woman named Little Jane, the midwife Mae Tuck, and others who feared otherwise being jailed for their inability to pay egregious taxes. Sylvie must eventually confront her brother, along with her own complicity in the evils done by her family, and she comes to realize that the changes required for economic justice mean she must take “radical action” and put herself in potential danger for the greater good.
Sylvie and her mission to redistribute wealth among the people of Loughsley are easy to root for, but the additional focus on gender roles, womanhood, and the idea of community as family are what set this retelling apart. Strong secondary characters help to challenge Sylvie and force her to take a strong stand against a system that she would otherwise benefit from, and parallels can be drawn from the injustices in the story to those of today’s world. As Little Jane, who becomes a dear friend to Sylvie says, “If someone doesn’t care whether you live or die, then living itself is rebellion” (p 241). This thoughtful narrative of what can happen when the privileged few horde wealth while the majority struggles to make do with less and less shows the power in a united band of concerned citizens.