It Takes a Village: A Review of Squirrel Needs a Break

Squirrel Needs a Break
Kristen Remenar
Illustrated by Matt Faulkner
Charlesbridge
Available May 7, 2024
Age 4-7

After a long winter in the nest, Squirrel is an exhausted single dad, just doing his best with three rambunctious kits. Seeing his need, his forest friends hatch a plan to give Squirrel the break he so desperately deserves. How hard could it be to take care of little squirrels? While Owl takes Squirrel to dinner, Hare teaches the kits to make pancakes. While Groundhog takes him to yoga, Owl teaches the kits to meditate—almost. Each friend takes a turn helping Squirrel to relax and watching the kits. As the community rallies to help, they realize how hard and rewarding it can be to parent. In the end, they all appreciate what a wonderful father Squirrel is and what a strong family they make together.

In this companion to Groundhog’s Dilemma, Remenar uses gentle humor to explore the work and love required to raise young of any species with a story as much for parents as children. And the forest community demonstrates just how important a support system, whether an extended or found family, can be to the effort. Faulkner’s digital illustrations use a pencil-like technique and vintage color palette reminiscent of Disney’s The Rescuers (1977). The combination of full-bleed and multi-panel pages with text bubbles provides enough visual interest to keep the story from veering too retro. Emotionally expressive faces showcase the joys and trials of parenthood so thoroughly that adult readers will feel seen. Perfect for a snuggled up read, this title will illustrate to kids the ways caregivers show their love through both actions and words.

The African proverb that it takes a village to raise a child (or, in this case, squirrel) is proven yet again in this sweet and lighthearted tribute to the power of community.

With a Twist: A Review of What a Desi Girl Wants

What a Desi Girl Wants
Sabina Khan
Scholastic
July 18, 2023
Age 12+

Induced by curiosity, guilt, and a very persuasive Dadi, Mehar flies from her boring home in Kansas to her family’s nawabi palace in Agra, India, for her father’s lavish wedding festivities. In a South Asian and LGBTQ twist on What a Girl Wants (Warner Bros., 2003), which is itself an adaptation of the 1955 play The Reluctant Debutante by William Douglas-Home, Mehar attempts to reconnect with a distant father, undermine her social-climbing future step-mother and step-sister, and foster a blossoming relationship with her Dadi’s lovely and shy personal assistant, Sufiya. As she bonds with her father, gets to know Naz and Aleena (the future steps), and grows closer to Sufiya, her original motivations come into question and she discovers both stronger relationships and humility through the journey.

Complex family dynamics drive the plot of this emotionally charged YA dramady. Mehar doesn’t fully understand her parents’ relationship and the reasons they split. She makes assumptions about the way Naz and Aleena are using her father. And she underestimates the family obligations and social restrictions that drive Sufiya’s reluctance to out herself. Khan writes Mehar as confident and clueless in turn, ruled by her desires and goals in a way that conflicts with Indian cultural expectations. She is a flawed, yet likable protagonist that stands out against the less developed secondary characters. The juxtaposition of her t-shirts and jeans against the lavish palace, wedding finery, and luscious foods adds to the sense of her straddling cultures with varying degrees of success. As Mehar settles in and struggles less, she grows in maturity, owning up to her mistakes and mending fences to get what she really wants—connection.

Little Seeds Saving the Planet: A Book Review of Big Tree

Big Tree
Brian Selznick
Scholastic Press
Ages 7 and up
April 4, 2023

Louise and Merwin, two Sycamore seeds, have always assumed they would live with their Mama for a long time before setting down their roots. However, when the mysterious voice of the Old One whispers of impending danger to Louise, and strange incidents start happening in the forest, Louise and Merwin are thrust into an unknown world away from their Mama. Forced to explore the changing and dangerous world around them, the siblings face dinosaurs, meteors, and volcanoes to find a safe place to grow. When the voice of the Old One becomes louder to Louise, she realizes that they may have a higher purpose—to save the world.

Pros and illustrations make this a non-traditional children’s fiction book as it uses both as an integral part of the story; with pages switching from pros, illustrations, and to a combination of both. The black and white charcoal illustrations bring another layer to the story while giving a changing perspective shift from microscopic to galactic view of the world and its creatures. The illustrations are ordered to show the motion of objects, animals, and plants giving life to the story, especially when whole pages portray the walk of a dinosaur past the forest (Pgs. 70-81). Through great changes, Merwin and Louise must change their perspective to adapt to the world around them. Merwin becomes pragmatic and protective of Louise, who is being guided to safety by the Old One, and mostly leads them astray of the Old One’s plan. Louise basks in the new sensations of the world and delves more into trusting and listening to the world around them. Eventually, learning to trust in one another, they both listen to the Old One and prepare for the chance to save the world. In this adventure, Selznick gives a voice to the world by using the Old One as a wise and protective being that wishes to help all its children, while also teaching them that death is just one part of the Cycle of Life. Selznick includes backmatter on the original idea of this book, the science behind key characters, and an acknowledgment of all the scientists and specialists that have helped him research in preparation for this book. As Louise guides Merwin, Big Tree will guide readers to listen to the sound of the world and care for our fragile planet before it’s too late.

 

 

Roundhouse Kick Retelling: A Review of Little Red Riding Hood and the Dragon

Little Red Riding Hood and the Dragon
Ying Chang Compestine
Illustrated by Joy Ang
Abrams Books for Young Readers
November 1st, 2022
Ages 4 to 8

Little Red Riding Hood and the Dragon depicts a refreshing Chinese twist on the age-old folk tale of Little Red Riding Hood, as told by the wolf from the original. But this Little Red knows kung fu and carries a sword, which is why her mother feels safe sending her to grandmother, or Nainai’s house, when she’s sick. Making her way to Nainai’s house, Little Red is tricked by a dragon and uses her quick wit and traditional Chinese instruments to save Nainai and herself, making her the hero of her own story.

Although Little Red Riding Hood knows how to defend herself, she doesn’t use much force when trying to escape the dragon’s belly, just cleverness. This provides deeper character depth than the original tale. More in line with the original tale, many other characters in this picture book aren’t focused on besides Little Red Riding Hood. As the big bad wolf is looked at as an antagonist in other folktales, his perspective as narrator is a unique element that refocuses the story now on a Chinese dragon as the antagonist. The digital art and vivid colors in Ang’s illustrations lend a modern sensibility to the ancient setting and traditional tale, and add a further twist to the retelling. Detailed backmatter contains Compestine’s author note on her inspiration for this twisted tale, her motivation to include certain Chinese elements, and a deeper look into Chinese culture and heritage. Young readers will enjoy this “real” version of the story, and grown up readers will get a chuckle out of the wolf’s audience in the final spread. Messages of empowerment, problem-solving, and not waiting for a huntsman savior are the real beauty of this twisted tale.

Revenge or Mercy?: A Review of The Secret Battles of Evan Pao

The Secret Battle of Evan Pao 
Wendy Wan-Long Shang 
Scholastic Press
Ages 8 to 12
June 7th, 2022 

Evan Pao and his family just want to start fresh, away from his father’s infamy and neighbors’ stares, and a small town in Virginia seems like the right place. But, Haddington, Virginia has its own Southern traditions and views that the Pao family and Evan don’t fit into, especially since Brady Griggs has it out for him as the only Chinese American boy in town. When Brady commits a hate crime against the Pao family but isn’t punished, Evan faces the choice of getting revenge or being a bigger person and having mercy.  

Told from multiple points of view from family, friends, and people around Haddington, these different perspectives reveal themes of racism, bullying, sexism, and their prevalence in the community. Shang treats grave and demeaning topics with realism and care, and a tone of hope that lends an uplifting feel to the weighty subjects. Although Evan knows he and his family don’t fit into the small town, he strives to show that some town traditions do relate to him and that Asian Americans have a legacy in the American South, just like everyone else. In the beginning, Evan struggles through many of the town’s prejudices that impact him and his family, and when it seems like he could give in to hate and subjugation, Evan overcomes these ‘secret battles’ within himself to reveal that forgiveness and mercy are vital for healing all wounds. Although the novel focuses on Evan as the main male protagonist, other characters are depicted as slowly adjusting their racially insensitive biases and worldview based on Evan’s influence. Evan proves that it only takes one brave person to break a cycle of hate and racial stereotyping in order to make a difference in the community. This deeply moving novel highlights the struggle young people have with self-identity, and how hard fitting into a new place can be, but that taking the initiative and being brave has its rewards.  

Queen Quest: A Review of The Queen in the Cave

Queen in the Cave
Júlia Sardá
Candlewick Studio
May 24, 2022
Ages 5 to 9

Franca dreams of a queen in a cave. Feeling a strange need to abandon all she once enjoyed, Franca recruits her younger sisters, Carmela and Tomasina, to journey with her on her quest through the dark forest to find the queen. Although her sisters become afraid of the forest and the creatures they meet, Franca motivates them with her own blooming confidence to continue. When Franca, Carmela, and Tomasina finally reach the cave, they are given the most unexpected surprise in discovering the identity of the queen.

This imaginative picture book explores themes of overcoming one’s fears, being curious about the unknown, and being brave enough to keep going through life. Although Franca recruits her sisters in the beginning of the quest to travel with her, she learns that it’s okay to drift apart from the people and activities she once enjoyed, indicating the transition from childhood to adulthood. The illustrations and tone of the story also exhibit the shift, starting with a lighthearted tone and clean portrayal of the sisters and moving to a heavier tone and a darker color scheme focused on Franca. The fantastical illustration of the forest and the creatures fill each page with hidden objects that catch the attention of any reader and make them want to look again to see new objects that one might have missed. The fairytale-like tone of this picture book for older children, emphasizes the reality of growing up and learning to embrace your individuality, couched within a whimsical adventure. 

 

Benefits of a Bossy Butler: A Review of Pay Attention, Carter Jones

carter jones

Pay Attention, Carter Jones
Gary D. Schmidt
Clarion Books, February 2019

The Butler in Gary Schmidt’s Pay Attention, Carter Jones shows up at the perfect time. Carter’s father is deployed in Germany when Mr. Bowles-Fitzpatrick arrives on the Jones’s family’s front porch, his service an inheritance of sorts from their recently passed grandfather. Carter’s mother, struggling to care for four and mourning the loss of a fifth, is all too happy to accept free help, but Carter doesn’t appreciate Mr. Bowles-Fitzpatrick’s insistence on speaking “the Queen’s English” or his tips on gentlemanly behavior. The two bond, however, when the butler teaches Carter to drive a car that will one day be his own and introduces him to the intricacies of Cricket. When Carter finds out his father is not returning from Germany, he starts to suspects the butler knows more about his family than it seems, and that the butler’s unsolicited guidance may help him sort the fragments of his family currently spinning out of control. The Butler is appropriately irritating and loveable all at once, striking a perfect balance of affection and frustration as his central relationship with Carter blooms. Carter is both stubborn and sympathetic as a middle schooler confronting the loss of a sibling and his father’s abandonment in a touching and realistic way. A hilarious and heartfelt book that will have readers laughing between tears and “remembering who they are.”

Many thanks to local author, SCBWI-IL member, and guest reviewer, Mike Grosso. Mike is an author, musician, and middle school math teacher who always keeps a guitar in his classroom. Mike writes books and records music at his home in Oak Park, Illinois, where he lives with his son and a drum set he plays much too loud. I AM DRUMS is his first novel, and his rock album, SILENT EXPLOSION, was funded via Kickstarter in early 2018. You can find him at mikegrossoauthor.com.

 

 

 

 

Small & Mighty: A Review of Front Desk by Kelly Yang

front deskFront Desk by Kelly Yang
Scholastic/Arthur A. Levine Books
May, 2018

Mia and her parents, recent immigrants from China, are managing a California motel in the early 1990s. It’s a family affair, as ten-year-old Mia finds herself responsible for checking in motel guests while her parents tend to the rooms and motel maintenance – though it sometimes feels like it’s Mia against the world. After a rough start including washing machine mishaps, bad grades, and arguments with her mother (who wants Mia to stick to math, something she considers Mia to be a “native” in), Mia hits her stride when she realizes the power of using her ever-improving English to help others, especially the motel guests she considers family.

Adventurous subplots and dynamic secondary characters add to the appeal of this compelling middle grade novel. Mia believes in herself and wants what is best for her friends and family, and though her quick thinking sometimes gets her in trouble, at the end of the day she is a force for good in her community. This book is fun, yet thoughtful, and shows that there’s no age requirement for taking action against injustice.

PCP Two of Hearts: The Thing About Luck

the thing about luckThe Thing About Luck

by Cynthia Kadohata, with illustrations by Julia Kuo

Atheneum, 2013

I am a huge fan of Cynthia Kadohata’s work. Huge. I was on the committee that selected Kira-Kira, her first book for children, as the 2005 Newbery Medal winner, and I have loved every subsequent book. There is a quiet, raw honesty that runs through her writing, a transparency of language that sneaks up on you and, out of events that seem mundane, delivers something exquisite and profound. It’s like magic.

The Thing About Luck tells the story of a Japanese American farming family toiling amidst a flurry of bad luck. Sunny’s parents have been called away to Japan on emergency family business, leaving Sunny and her little brother Jaz in the care of her grandparents Obaachan and Jiichan, saddled with the back-breaking work of itinerant, contract wheat harvesting. Kadohata paints the circumstances in vivid, albeit plainspoken detail: Sunny’s fear of mosquitoes (she had malaria once); Jaz’s difficulty connecting; Obaachan’s strict, traditional ways; Jiichan’s tireless effort; and an impossibly thorough explanation farm machinery. And somehow, in the spaces between these definitions and explanations, she offers a tender, immediate, indelible portrait of family that is as touching as it is unique. These are people who love one another deeply, and Kadohata’s ability to show us that love, in the conflicts and struggles that would threaten it, is simply staggering.

When You Wander: A Search-and-Rescue Dog Story

when you wanderWhen You Wander: A Search-and-Rescue Dog Story

by Margarita Engle, illustrated by Mary Morgan

Henry Holt, 2013

“If you are lost, stay in one place. Hug a tree. Think of me.”

On paper everything about this sounds didactic and cloying, in the sort of way that might give one a headache and a toothache at the same time. A sniffing school graduate offers help to would-be lost children to keep them safe and get them found. Her first person (first canine?) exposition outlines specific procedures to be undertaken by a lost toddler matched to the dog’s skills and knowledge.

And it is sweet, make no mistake, and not without purpose.

But it is so much more than that. The language is warm and clear, presenting the instructions in an easy, friendly way, studded with details of particular meaning to a child. It is lilting and confident and happy on the tongue, broken like verse to reinforce its poetic rhythms to the reader-alouder. The toddler in question is shown in the rescue dog’s imagination, doing toddlery things that leave an indelible olfactory trail. The pictures themselves, soft and unapologetically accessible, establish a tone of security and success. And so children understand being lost in terms of the dog’s expertise, not the danger the dfficulty represents. In a final spread the roles are switched, as the child, now safe home in bed, dreams of her rescuer in a dream bubble of her own.

Above all, though, this is a story. I wouldn’t hesitate for a moment reading this aloud to a group of children, not because it contains important information that all children need to hear, but because it is purely delightful. Would that more books built on a message could be so.