Bbbbbbbbbbbbbbbbbbb!

elephantMy wife and I recently brought our 22 month old son to his first pajama storytime. Unwise in the ways of toddler aging, I would prefer, “He is almost two year old.” He in his onesie, me in my version of pjs, and Mom the only mature, pajama-less one of us set out for an adventurous evening at our library. I suppose I should mention here my disappointment that adult onesies are not widely fashionable. When they are, as my dreams foretell, I shall forever wear them.

As I was saying, we planned to arrive at the library a bit early so B could explore. Unfortunately, a significant aspect of his exploratory process includes climbing stairs at the speed of molasses. Against his wishes, we decided to carry him up for fear of missing the program entirely. Librarians have organized short, picture book stacks in rows overlooking a play area and glass-walled activity room. My eager little guy scurried through the aisles pointing, oohing, and ahhing almost exactly the way I envisioned he would. For B, nearly every audible thing on earth; cars, elephants, trains, cows, trains with car driving cows and elephants, produce an enthusiastic ‘Bbbbbbbbbbbb!’ sound. Naturally, when he noticed the dozens of stuffed animal characters on top of each book stack, the once quiet library was transformed into a bustling circus train yard. I was smitten.

B has little previous contact with other children beyond our nuclear family. Toddler storytime at the library proved an excellent way to introduce him to other people his age. Although he looked to be the youngest of the bunch, he interacted with other children through play, crafting, and dancing while learning to share, communicate, and listen. Not bad for a 30 minute library program. The theme was spring and although librarian shared only two books (for the life of me, I can’t remember them…I was too busy being a proud father; bad librarian!), the group was ready to graduate to building a paper plate mask with lion and lamb on either side. Afterward, we scurried out to the play area for some block building and car ‘bbbbbb’ing.

As we left the library I reflected on the last hour (should I have said sixty minutes?) feeling happy and eager to enjoy our next visit. Strapping B into his car seat, I realized that the chances of him remembering his first storytime when he was say 96 months old were remote. Fortunately, I knew that I would never forget it.

Image from Microsoft Word Clip Art

Babies!

What’s little and round and needs to be read to every day?

A baby, that’s what. Thankfully, there is no shortage of wonderful, baby-friendly reading material out there. Here are a few recent titles that caught our attention:

now im bigNow I’m Big!

by Karen Katz

McElderry Boos, 2013

Karen Katz has dozens of bright, ebullient, irresistible board and picture books to her credit, all populated with her unmistakably round baby figures, in vivid, technicolor glory. This time around a collection of toddlers reminisce about their long-ago infancy. Each spread has a baby on the left suffering some baby indignity (When I was a baby I had to wear diapers) followed by the grown-up toddler celebrating new found preschool prowess (NOW I’M BIG! I can wear underpants and poo in the toilet). The final situation has a little girl welcoming a new baby to the family, offering a litany of all the ways she can help, now that she’s big. While toddlers will love feeling all grown-up, the bright colors, expressive faces and simple illustrative style make this a winner for the brand-newest little ones, too.

faces for babyFaces for Baby

curated by Yana Peel

Templar Books, 2013

In 2009 Templar Books created an exquisite board book of black and white fine art reproductions specially selected for babies’ taste for bold, high-contrast imagery. This follow up taps in to babies’ interest in faces, offering twelve modern depictions of the human face in varying styles. The composition is uncluttered, with nothing but the image, with the artist’s name and date of the work printed unobtrusively below. Brief biographical information of the artists represented appears on the verso and a circular mirror on the final page stands apart from the series of rectangular pieces, distinguishing baby’s face from the others. A luxe and lovely package.

you are my baby farmYou Are My Baby: Farm

by Lorena Siminovich

Chronicle, 2013

This charming, ingenious board book takes advantage of a deceptively simple die-cut process, making a matching game of farm animal parents and their young. On each large page a grown-up farm animal describes her baby, complete with a color reference (You have a curly pink tail) and on the smaller pages the baby is pictured, identified by name, and the animal sound is communicated (You are my baby, little piglet. Oink! Oink!). The large and small pages turn independent of one another, though careful use of backgrounds that contrast in color and texture facilitates easy matching. With all sorts of developmental concepts at play (colors, patterns, animal names and sounds, matching, motor skills) this winning volume and it’s sister volume You Are My Baby: Safari fire on all baby cylinders.

What are your favorite books for baby?

Green Malt-O-Meal and Specialness, Among Other Things

During this time of year when I was a kid, my family was usually going nuts with activities. Dad was just getting back from choir tour, Mom was busy teaching music to her crazy kindergarteners, and us kids were somewhere doing speech, theatre, taekwondo, ballet, piano lessons, homework—or sometimes combinations of these things. It was hard to catch time for a dinner together or even a hello after play rehearsal. But Mom and Dad were a pretty great mom and dad, and they always managed to make all three of us kids feel special. They dyed malt-o-meal green on St. Patrick’s day, they slipped little notes in our lunchboxes, and on Easter, each of us got a basket with our favorite candy—Snickers for Josh, Reeses Peanut Butter Cups for Rachel, and Jelly Belly jelly beans for me. Sometimes there would be a little trail of jellybeans from the door to my bed, as if the Easter Bunny had accidentally dropped them on his way (even when I was sixteen).

Now, I’m not home anymore. I’m still their kid, but now I have a job and a school twelve hours away from them, and they aren’t by my side to make me feel special anymore. They still do, of course, it it just over the phone or in cardboard package, but it doesn’t have the same immediacy. So I find ways of discovering what’s special now on my own—through friends, through art, through music, and also, of course, through books.

The following three picturebooks are all published in 2012, and they all have something to say about being special. Sometimes specialness is far away and you have to find it. Sometimes, it’s right next to you and you don’t see it. Sometimes, it’s in an animal or in a friend or in a mysterious something that might surprise you or take a while to understand. Sometimes, it is lost or forgotten.

13414866In Lovabye Dragon, by Barbara Joosse and illustrated by Randy Cecil, a little girl longs for a dragon friend, and a dragon longs for a little girl friend. They dream about finding each other, but the poor girl becomes so sad that she cries silver tears all the way to the dragon’s cave. When the dragon follows the tears, he finds the girl in her castle, and the double-page spread is filled with light and celebration of their union. Cecil’s lovely oil paintings use diverse shades of blue to express the rich, atmospheric tone of the book, and Joosse’s sensitive text celebrates the friendship of two creatures that in every way are different, but together build something special. Though this story could be taken as fantasy, fairy tale, or some version of destiny, I take from it a sense of hope and beauty. You can be alone. You can be sad. You can be alone and sad for a long time. But sometime, somewhere, someone might find you and call you special, or you might be led down a path to find someone special. In the meantime, there’s no harm in calling yourself special. Because it’s true.

ImageEach Kindness, written by Jacqueline Woodson and illustrated by E.B. Lewis, has a more deliberate message about treating others with respect. Written in the first-person, it tells the story of a new girl coming to school. The narrator character and her friends ignore the new girl—they whisper secrets, laugh, make fun of the girl’s clothing, and refuse to play with her. Lewis’s realistic watercolor illustrations captivate the eye and change perspectives drastically on every page, as if they are begging the narrator to change her own perspective. She doesn’t, though—not until it is too late and the girl has moved away. The book ends with the young protagonist watching the water ripples come and fade, wishing she would have made the new girl feel special.

Don’t we all wish we could go back and change something we did, or make someone feel special when we didn’t? I remember being the bystander in a few instances in elementary school—not teasing, but not standing up for anyone either. My feelings of guilt were strong and palpable—I can still feel them now. So palpable, in fact, that I became a “Peer Mediator” in upper elementary school and was determined to calm fights and extinguish any bullying I saw. Now, it’s easy to see someone’s uniqueness—we are adults. It’s easy to forget the “rules” of being cool in school, and seeing people’s “special qualities” certainly wasn’t part of the being cool plan. I wish we could change that.

ImageFinally, a lovely interplay of humor and heart-warming charm harmonize in Boy + Bot, written by Ame Dyckman and illustrated by Dan Yaccarino. A young boy and a red robot meet each other in the forest one day, and instantly become friends. Trouble ensues when the two friends roll down a hill and Bot’s power switch turns off. The boy tries everything he knows to help—feeds him applesauce, reads him a story, and tucks him in to sleep. But then, when the bedroom door opens, Bot’s power switch turns on and he is frightened to see that Boy cannot be awakened! He tries everything he knows to help—bring him to his home (a mysterious tower), gives him oil, and brings in a spare battery. Bot’s inventor discovers him, the boy awakens, and the two friends are reunited. Bright colors and artistic vignettes bring out both the boldness and softness in this book, and it’s pretty fabulous to see two characters with an honest connection in just thirty-two pages. But it happens with little kids, right? Kids (I’m talking before school starts) can meet each other and instantly hold hands, then go off and play Legos. They make each other feel special all the time.

Okay, maybe by now you’re screaming at your computer—enough with the cheesiness, the sugary clichés, the specialness!

But I still dream about the green Malt-o-Meal, and I’m 28. I still love the Easter Basket with the trail of Jelly Bellys. And I still want hugs and phone calls and everything else that makes me feel special.

Because I am. And so are you. So spread it, what else is there to do?

Three Times Lucky

three-times-luckyThree Times Lucky

by Sheila Turnage

read by Michal Friedman

Penguin Audio, 2012

My colleague Luke recently posted about Marcelo in the Real World, 2010 Schneider Award winner, paying particular attention to the audio version. I, too, am busy listening to award-winning titles, and find myself charmed by Michal Friedman’s reading of Three Times Lucky by Sheila Turnage.

Audiobook evaluation can be a tricky business, and this title makes for a nice case study. One of the stickier wickets has to do with separating the quality of the reading and the production from the quality of the source material. As far as the quality of the source material here, we have the endorsement of the 2013 Newbery Committee, who chose Three Times Lucky as one of their Honor Books (and I’m more than happy to throw my enthusiastic appreciation into the pot).

Then there’s the question of artistic interpretation. Set in fictional  Tupelo Landing, NC, the book features a cast of honest, sometimes quixotic characters, drawn with the thick outline of bigger-than-life eccentricity. Turnage is a native of North Carolina herself. She chronicles the outlandish, small-town behavior of the inhabitants of Tupelo Landing with a generous, colorful twang and Friedman captures the cadence of the language and the integrity of the characters in her spirited reading.

The story features a few mysteries playing out on different levels: Mo and her friend Dale are “assisting” the police with a murder investigation; Mo is searching for her own mother, who left her drifting down a river in a basket (Mo is short for Moses); and the reader is busy puzzling out the truth about Mo’s adopted family, The Colonel and Miss Lana, and their own mysterious behavior. Friedman’s narration manages a sharp intensity that maintains all of that suspense without ever puncturing the delicate humor.

As far as the production values, there is much to celebrate here. The source material comes easily divided into chapters of manageable size, and are broken into tracks accordingly. The sound is crisp, clean and consistent, without any audible hissing, muddiness, or variations in the voice reproduction. There is nothing to notice here, and that’s just as it should be.

My one quibble would be with the application of southern accents. While Turnage’s language feels authentic, Friedman’s North Carolina drawl has a few consistency issues. I can’t speak to the authenticity of the North Carolina accent in general, but I don’t think it unreasonable to expect one character to pronounce another character’s name consistently throughout. The cadence feels genuine, though, and beautifully captures the essential nature of the characters. And Mo’s first person narrative, even with the pronunciation lapses, is remarkably and genuinely childlike, in a refreshing and indelible way. So, my quibble is just that, and nothing more.

At the end of the day I look for an audiobook that adds something to the experience that I can’t bring to it myself, reading in my head, and in that regard this one scores right off the charts. Give it a listen and tell me what you think!

Thank you, Mr. Stork

Marcelo-in-the-Real-WorldMarcelo in the Real World

by Francisco X. Stork

Arthur A. Levine, 2009

Late to this literary shindig, I often find myself running (speed walking?) to keep up with my fellow bibliophiles. Better said, I’m discovering pots of gold that have long ago been plundered by my colleagues, but finding them nonetheless. Such is the case with Marcelo in the Real World. Content with studying at Paterson High School, (a special school for students with Asperger’s Syndrome) caring for horses and living in his own tree house, seventeen year old Marcelo Sandoval is challenged by his father to accept a summer job at his law firm. Marcelo reluctantly accepts and begins to feel and express emotions that he has never before recognized. As he learns to cope with this new world, what Marcelo once saw as clear lines between right and wrong, good and bad, and the like become fuzzy. The competitive nature and opposing viewpoints of this ‘real world’ create a far more challenging, often confusing reality for Marcelo.

As with many books of late, I experienced Marcelo as an audio book. Fellow listeners can attest to the utter deflation of a good book brought on by poor audio production. The audio starts off slow and I admit hovering my finger over the eject button on my CD player. Fortunately, I remained patient and soon the reader’s (Lincoln Hoppe) deliberately slow pace and hushed, deep tone became harmonious with Marcelo’s unique and wonderful thought processes. Though I have never had the occasion to read a book after listening to it, I most assuredly will do so with Marcelo. Indeed, not since The Miraculous Journey of Edward Tulane (Thank you, Ms. DiCamillo) has there been a creation I wished I had written. For those who have not yet read it, try listening to it. To those who have, I offer the same advice.

Make Magic! Do Good!

make magic

Make Magic! Do Good!

by Dallas Clayton

Candlewick, 2012

We who work at the Butler Center have the privilege of opening up new packages of books nearly every day, sometimes fresh from the press. Books get stacked, fiction and non-fiction become intermingled, and it is easy for a wonderful book to get lost amidst the chaos. But then each book is picked up and entered into our system. I always look at each book as a new experience, a wonderful possibility for my next read. But then I move along because, well…it’s my job to.

Yet, sometimes the reader inside gets the best of me, and I find myself lost in a book. It is a rare occasion, because I am a very diligent worker, but sometimes a book grabs me so tightly that I have no chance of becoming free until I turn the final page. This recently happened to me here in the Butler Center with Dallas Clayton’s 2012 book of poetry titled Make Magic! Do Good!

Sometimes quiet, sometimes loud, sometimes joyful, sometimes gently sad, this book respects the child reader and understands that he or she experiences profound, deep feelings just as much as grownups. There are forty-nine poems in the collection, all illustrated in a simple, sketch-like style with vibrant colors and dynamic expression. About the artistic medium, the front matter states, “The illustrations were done in two parts positive vibes and three parts watercolor rainbow sprinkles.” This captures the whimsical, creative, playful spirit of the poetry. The silly poems, such as “Amanda the Panda” and Xavier Xing Xu” wholly encapsulate the spirited, snappy mind of a child. Clayton’s humorous illustration note does not demonstrate the incredible emotional depth several poems communicate. One of my favorites is titled “Slumber,” and it’s only four, simple lines:

You won’t know all the answers

You won’t get everything right

But once you learn you don’t have to know ‘em

You’ll sleep the best at night.

The illustration accompanying this poem is a big, pink animal, fast asleep in a bed covered in a blue and orange starred comforter, and the vast white space comforts the eye. I opened this page, experienced both text and image, and I had to experience it again. As a person who struggles with perfectionism and anxiety, this poem is the perfect mantra for peace. What a lesson to learn, and absolutely beautiful that Clayton is telling it to children.

It doesn’t stop there. Clayton’s honest poems and imaginative illustrations include topics as varied as enemies, decision-making, love, sharing, friendship, money, and the potential end of the world, and he tackles them with vibrant energy, poignant honesty, and joy. And there are some pretty darn silly ones along the way.

I haven’t been stopped like this by a book here at the Butler Center in a while, but Make Magic! Do Good! certainly shouted my name that day and echoed in my heart and mind for the days and weeks to come. In a world that we all know is filled with bad stuff—violence, sadness, sickness—it is lovely to find a book filled with message of hope, love, strength, silliness, honesty, warmth, and peace, peace, peace.

Please watch this animation based on the book, and listen to the profound poem that closes the work, the title poem of the collection, Make Magic! Do Good!

Lion vs Rabbit

lion vs rabbitLion vs. Rabbit

by Alex Latimer

Peachtree, 2013

Lion is the king, and something of a bully. He steals Hyena’s lunch monkey. He gives Buffalo a wedgie. Baboon puts an ad in the paper, looking for someone to put lion in his place. Bear and Moose and Tiger arrive on a plane, ready to challenge Lion, one by one. Lion wins, every time. Then comes Rabbit. Rabbit chooses his own contests (marshmallow eating, painting, trivia) and wins each one. Lion relents, agreeing to bully no more, and rabbit takes his leave. As his ship departs we learn that he is in fact a bunch of rabbits, chosen specifically for the individual contests. And, indeed, looking back through the book we see evidence of the subterfuge. For every rabbit competing there are other rabbits hiding, their ears or tails peeking out from behind rocks or hills or tall grasses. Droll details and comic characterizations add wild panache. The story’s skewed humor and buoyant charm delight on their own, but the regular opportunities for the listener to know just a little more than the protagonist elevate this outing from mere felicity to full-on fun.

Jeb

JebI adopted a dog over spring break. Jeb is an indeterminate hound, sweet, affable, and a little bit goofy. He arrived in Chicago from an informal pipeline that extends down to Oklahoma, rescuing dogs from uncertain futures. We don’t know much about Jeb. He had no people to turn him in. He has no real history. It seems as though he has lived his life on the streets; things like the indoors are something of a mystery to him. Doors are a curiosity, regular meals are a revelation, and he had no idea what to make of stairs. He didn’t know if or when I was coming back. All of these things he had to figure out on his own. I couldn’t tell him. It was all left to trust, to consistency, to promise.

And he is starting to understand.

I mention this because it reminds me of our first experiences with books and with libraries, especially when we are children. It is nice to hear pretty words about access and service and commitment. It is nice to be told that the books and stories belong to us. But whatever you tell me about who you are and who I am to you, I will know the truth of these things through my experiences. If children are to trust that we will not judge their reading choices, we must celebrate those choices. If teens are to believe that their ideas have a place in our business, we must integrate those ideas. All library users will know the library through their contact with it, but young people, above all, will take those understandings to heart.

Just like Jeb.

Oliver

Oliver by Birgitta Sif

Oliver

by Birgitta Sif

Candlewick, 2012

From Ferdinand to Frederick, children have wonderful (often animal) picture book role models who express the value in accepting yourself. And of course that message is all well and good. Yet in reality, the self satisfaction found in cherishing your uniqueness sometimes fails to eclipse the loneliness that so often accompanies it. Take Oliver. Here’s a young person who doesn’t seem particularly plagued by the burden of his differentness. He’s not cursing a defect or suffering from taunts; he’s not asking a parent why he is the way he is. He rather enjoys his quiet, imaginative life. His playmates are his toys, plush animals whom he carts around the library and yard. Even surrounded by his boisterous family, Oliver prefers to retreat into his own world with these soft-hearted friends.

And with these playful illustrations, the reader may retreat with him. Notice the subtle glances of otherwise button eyes, the teasing suggestion of life from what reason would inform are inanimate objects: a tiny glimpse for us into the everyday magic Oliver experiences.

Until one day, it’s not enough for Oliver. His animal friends, heaped in a pile, don’t respond like they used to. Yes, Oliver likes the way he is, and isn’t purposefully ostracized for it. There’s no doubting of self here. What Oliver lacks is someone who sees the world like he sees it; someone who can appreciate him and share his fantastical world and adventures. By the book’s end and through a fateful moment, Oliver finds his someone: a someone who’s more than plush stuffing and button eyes. And as the reader turns back to pore over the warmly detailed illustrations, she discovers that Oliver’s new friend has been with him all along, present but unseen. More magic lives on these pages, and in Oliver’s world, than first meets the eye. And as Oliver discovers, magic begs to be shared.

Sir Quentin Blake

quentin blakeAfter a long and storied career, British illustrator Quentin Blake was knighted by the Prince of Wales today. From Mrs. Armitage to Matilda, he has deposited lots and lots (and lots) of indelible characters, human and otherwise, into our collective consciousness, where they will stay in perpetuity. He is also responsible for the wonderful wallpaper on the display wall right here in the Butler Center. On this side of the pond he is best known for his spot illustrations for the Roald Dahl oeuvre, but in his 64 year career (and 64 is my favorite number) he has crafted a remarkable variety of really exquisite books, as author and as illustrator. Here are a few standouts:

CockatoosCockatoos

by Quentin Blake

Little, Brown 1992

Professor Dupont is a slave to his routine, and it is driving his cockatoos crazy! They decide to teach him a lesson, and distribute themselves about the conservatory, never to be seen again. Or not.  This clever, infectious book turns the familiar counting book on its head, with the ever diminishing items-to-be-counted hidden (in plain, polychrome sight), to the delight of observant children everywhere.

tell me a picture

Tell Me A Picture

by Quentin Blake

Millbook Press, 2003

Quentin Blake curated a collection of 26 paintings and children’s book illustrations and employs his trademark figures to interpret them with us. Each work of art enjoys four pages, two for uncluttered presentation, followed by two more where the sketchy individuals respond, with genuine curiosity, puzzlement, and affection. As much about looking at art as it is about art itself, it offers children a safe and stable place from which to begin their own inquisitions.

michael rosens sad bookMichael Rosen’s Sad Book

by Michael Rosen

illustrated by Quentin Blake

Candlewick, 2005

Michael Rosen tells the story of his own experience losing his adult son, and explores the fundamental nature of grief. Blake’s sketchy, chaotic images, in drab greys and blues, express grief’s uncontrollable disquiet in a profound and deeply affecting way. The world will continue to debate whether or not it is a book for children (it is), but it’s artistic power is undeniable.