Category Archives: 11-12

Makankosappo Kamehameha

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dragonballz6My friend Heath alerted me to this trend of Japanese young people sharing photographic interpretations of manga/anime energy cannons. I love so much about it: the appropriation of the theme and its translation to a new medium, the ironic juxtaposition of prim, restrained school uniforms and dynamic, energetic composition, and the contagious fun. Just look. For all of their serious machinations, they can’t help but grin. It’s no surprise that it’s catching on quick. It’s like planking only interesting.

My favorite thing, though, is its expressive process of story. All of this began with books, books that made a mark on the cultural consciousness that these kids feel the need to explore and share. In 2013, in a world suffused with gadgetry, this is how stories perpetuate themselves. We get so distracted by sensational arguments about the end of publishing and fling ourselves on the funeral pyre of the printed book, and miss the truth staring us in the face. Stories are there. Right in front of us, telling us something about ourselves, just like they always have. We just have to remember to look.

Thank you, Mr. Stork

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Marcelo-in-the-Real-WorldMarcelo in the Real World

by Francisco X. Stork

Arthur A. Levine, 2009

Late to this literary shindig, I often find myself running (speed walking?) to keep up with my fellow bibliophiles. Better said, I’m discovering pots of gold that have long ago been plundered by my colleagues, but finding them nonetheless. Such is the case with Marcelo in the Real World. Content with studying at Paterson High School, (a special school for students with Asperger’s Syndrome) caring for horses and living in his own tree house, seventeen year old Marcelo Sandoval is challenged by his father to accept a summer job at his law firm. Marcelo reluctantly accepts and begins to feel and express emotions that he has never before recognized. As he learns to cope with this new world, what Marcelo once saw as clear lines between right and wrong, good and bad, and the like become fuzzy. The competitive nature and opposing viewpoints of this ‘real world’ create a far more challenging, often confusing reality for Marcelo.

As with many books of late, I experienced Marcelo as an audio book. Fellow listeners can attest to the utter deflation of a good book brought on by poor audio production. The audio starts off slow and I admit hovering my finger over the eject button on my CD player. Fortunately, I remained patient and soon the reader’s (Lincoln Hoppe) deliberately slow pace and hushed, deep tone became harmonious with Marcelo’s unique and wonderful thought processes. Though I have never had the occasion to read a book after listening to it, I most assuredly will do so with Marcelo. Indeed, not since The Miraculous Journey of Edward Tulane (Thank you, Ms. DiCamillo) has there been a creation I wished I had written. For those who have not yet read it, try listening to it. To those who have, I offer the same advice.

On the money (mostly)

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Back in December we suggested some books as particularly holiday-giftable. Looking back, I see that among the eight books for young people we recommended, half were recognized at the ALA Youth Media Awards! We had the Newbery winner (The One and Only Ivan), The Sibert winner/Newbery honor book (Bomb: The Race to Build–and Steal–the World’s Most Dangerous Weapon), a Caldecott honor book (Extra Yarn), and a Printz honor book (Code Name Verity). Not bad for a day’s work.

The One and Only IvanbombExtra YarnCode Name Verity

 

 

 

 

You can find a link to all of the ALA award winning titles here.

The Brother’s Grimm: Popular Folk Tales

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brothers grimmThe Brothers Grimm: Popular Folk Tales

Newly translated by Brian Alderson, illustrated by Michael Foreman

Doubleday, 1978

This rich collection of thirty-one Grimm’s tales combines familiar stories, such as “Hansel and Gretel,” “Rapunzel,” and “Rumpelstiltskin,” with lesser-known tales like the haunting “Fitcher’s Bird” and “King Throstlebeard.” While the anthology contains no formal introduction, internal notes or citations, there is a table of contents and a list of color illustrations in the front matter. Alderson also includes detailed “Afterward” and “Notes” sections in the back matter, in which he affirms his mission for the book. He states that many English translations of Grimm, though accurate, “miss the spirit of the tales” (188), and his objective for this collection is to translate the German tales “not from the scholar’s study but from a storyteller talking to his listeners” (188). He succeeds in this goal, as the translations are clear, concise, and readable—yet they still contain anecdotes of humor, gruesome description, and evocative imagery. Alderson notes that the Brothers Grimm stories “exist in a number of forms,” and his translation “is largely based on texts which had reached [the] final form, the ninth edition of the ‘Grosse Ausgabe’” (189). When he uses previous versions of the tales in his translations, he does not make a specific source note in the internal text, but he does mention it in the “Notes”, which are a thorough three pages long. Alderson comments that himself, his illustrator, and his publisher chose the specific tales to be included, and notes that the order of arranging the tales is intentional. He states, “It was hoped that the sequence of stories would have a naturalness about it that would make it comfortable for readers to work through, if they wished, from one end to the other” (189). Michael Foreman’s dynamic illustrations enhance the collection, as each tale begins with a black-and-white thumbnail sketch and twenty-six full-color, vibrant, watercolor illustrations are scattered throughout the book. Foreman captures the tone of each tale, using muted and dark colors, shadow, and thin lines in the mysterious tales and luminous color, imaginative details, and softer lines in the lighter tales. The collection’s most remarkable feature is its potential diversity of audience. Because of the collection’s comprehensible translation, it is a great resource for the oral storyteller, but it is also a worthy selection for upper-elementary children, as the illustrations bring out the pathos of each story. Translated and illustrated by two qualified, experienced experts in children’s literature, this collection is a significant addition to the canon of folklore for children.

“Rubberized” book covers?!

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Is it just me? It seems that publishers have become really enamored of some new dust jacket treatment that adds an almost sticky texture to the paper. It feels sort of like a neoprene wetsuity material. I was on the Boston Globe Horn Book Award jury for 2012 and we recognized three pieces of fiction: No Crystal Stair by Vaunda Michaux Nelson (winner), Life: An Exploded Diagram by Mal Peet (honor book), and Code Name Verity by Elizabeth Wein (honor book). And all three have been subjected to these rubbery covers. Two of the three have dark, black backgrounds and I will admit that the matte finish of the texture adds some depth to it. But it also shows fingerprints something awful. And it’s a little tacky (duct-tape-adhesive tacky, not white-pants-after-labor-day tacky). Most libraries will put mylar covers over the jacket, simultaneously solving the problem of the unpleasant feel and compromising the benefits of the matte finish. And, really, at the end of the day, it doesn’t much matter. At all. But, still, someone is going to a lot of trouble (it must be some trouble) to take what might be perfectly fine dust jackets and make them stick.

What do you think?

no crystal stairlife an exploded diagramverity

The List

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the-list-siobhan-vivianWhen I was in middle school, I wrote a story that was printed in the school lit magazine.  It was about a girl that is so obsessed with the upcoming dance and what’s she’s going to wear that she forgets to look both ways crossing the street and is fatally injured in a car crash. Yes, I was an angry teenager. It was this kind of juvenile catharsis that I expected from The List by Siobhan Vivian. I gleaned from the cover flap that the story revolves around an actual list of the prettiest and ugliest girls in each grade. Apparently it comes out every year right before homecoming and somehow no one knows who makes it and the school administration does absolutely nothing about it. I imagined “pretty girls” and “ugly girls” discovering they had more in common than they thought. I saw an eating disorder somewhere in there. And I hoped for at least one pretty girl getting blood dumped on her or being horribly disfigured in an accident. Entertaining, maybe. But I’ve (almost) moved on from all the bitterness and insecurity of my teenage years. As a mature and confident adult I find reading about these kinds of stories shallow and boring.

I was wrong. And right. This is undeniably a book about body image and identity. There is, indeed, a girl with an eating disorder. But that’s just a hook. Vivian uses the list and the inevitable drama it creates as a way to drop a bomb into the lives of girls who are fully realized characters all on their own. They are worried their boyfriend is ashamed of them. They hate their mothers. They lost their virginity and aren’t ready for the emotional consequences. They just don’t want to be friends anymore. With alternating chapters from the voice of each girl on the list, readers can dip in and out of these girls’ lives drawing the larger thematic connections where they want. I have to hand it to Vivian for holding the plot together across eight different points of view. By the end, I not only felt I really knew each girl, but I really wanted to know who wrote the list. And then I remembered that I’m a mature and confident adult…and stopped judging books by their cover.

Wonder Show

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Wonder-ShowSince reading Wonder Show I’ve had the chance to tell a lot of people about it. Every time, I find myself outlining the plot for them. There’s a girl, I say, who is abandoned by her family and sent to a home with a sadistic head master. She’s mistreated, I tell them, but also possibly guilty of a terrible crime. And so she escapes to a traveling freak show, which is when the story really begins. Oh, they say, cool. And after they have politely smiled and nodded their head, I realize that I have failed. They think this is just another novel. I could go into more detail, sure. I could point out what a relief it is to read a book written for young adults that is not entirely in the first person. I could talk about how Barnaby weaves together the omniscient voice of the narrator, pieces of diary entries, letters, lists, and chapters from the viewpoint of tertiary characters. I might explain just how rich those characters are, that they are not just a quirky backdrop for the adventures of the protagonist, but are on journeys of their own deeply woven into the larger narrative. I could talk about how the book is really about the power of storytelling and how we define, burden, and limit ourselves with the stories we tell ourselves about who we are.  But who would listen? I’m not the storyteller that Barnaby is and even if I was, most people don’t want to hear about anything but the plot. They want the coming attractions that show exactly what is going to happen and reveal all the best jokes. But sometimes, the story is all in the telling. And Wonder Show is that kind of story.

Gifts of Information

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Our last stop on the holiday book recommendation train includes some books about real, actual people and things.

Chuck Close: Face Book

Chuck Close

Abrams, 2012

The famous portraitist tells his remarkable story, overcoming severe dyslexia, prosoagnosia (the inability to recognize faces) and paraplegia to become one of the most celebrated artists alive in an interactive book brimming with stunning detail. A class of fifth grade students in Brooklyn asks him questions, and his candid, matter-of-fact responses give us a picture of the artist just as clear and impressive as the portraits he paints of others. Exquisite, tactile and inspirational.

Bomb: The Race to Build–and Steal–the World’s Most Dangerous Weapon

Steve Sheinkin

Macmillan, 2012

In this un-put-downable record of the Manhattan Project historian Sheinkin weaves three distinct narratives into an utterly compelling page-turner about spies, science and sabotage with abundant facts and indelible lessons. It’s always a pleasure to follow an enthusiast on a literary exploration, and the velocity of this particular journey makes it is especially exciting. Gripping, informative and scrupulous.

Children’s Book-A-Day Almanac

Anita Silvey

Macmillan, 2012

For the children’s-book-loving adult on your list, this treasure trove by noted critic Anita Silvey makes a different recommendation for every day of the year and comes overflowing with corollary tidbits of fascination. Look for Silvey’s book-a-day for more suggestions and more fun.  Erudite, expert and comprehensive.

Novel Gifts

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Our holiday gift recommendations continue with a few novels we think young readers might enjoy.

The One and Only Ivan

Katherine Applegate, illustrated by Patricia Castelao

HarperCollins, 2012

Ivan the gorilla is resigned to his life in a glass enclosure at the Exit 8 Big Top Mall and Video Arcade. But when Ruby the baby elephant arrives, Ivan commits himself to winning a better life for her. Applegate crafts a natural and believable voice for Ivan, at once plain and poetic, and with it will break your heart (in the best possible way). And Castelao’s gentle gestures only add to the grace. Beautiful prose tells a beautiful story. Poignant, emotional and uplifting.

Shark King

Kikuo R. Johnson

Candlewick, 2012

A Hawaiian legend about a shape-shifting boy who becomes a king is just the thing for a picture-perfect beginning reader with graphic illustrations, comic book panels, word-balloon dialogue and ebullient excitement! Those familiar with the tropes of the graphic novel will appreciate the care with which they are observed, and those new to the format will enjoy its immediacy and its fun. Bright, smart and ebullient.

Code Name Verity

Elizabeth Wein

Disney-Hyperion, 2012

Shot down behind German lines during WWII, and enduring starvation and torture, Julie trades Allied secrets for prolonged safety and a few trifling comforts. Or does she? Wein’s startling novel weaves espionage, honor and indelible friendship into a gripping, revelatory package. Fierce readers will appreciate the investment required to dig through the obfuscation and retrieve a singularlygratifying literary reward. Dense, complex and thrilling.