Category Archives: 9-10

Mal Peet

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life: an exploded diagramI met Mal Peet when his gorgeous, expansive novel Life: An Exploded Diagram won a Boston Globe Horn Book Honor the year I served on the jury. I sat beside him at dinner after the Awards ceremony, and reveled in his gruff, take-no-prisoners affability. He somehow managed to be warm and exacting, all at once. It’s that quality that I love so much about his work. His observations are searing and precise, yet grounded in an unmistakable affection.

And boy, howdy, could he spin a sentence.

He got a late start in the author business–his first novel was published when he was 56–but he leaves behind a wonderful body of work defined by its ambition and uniform quality.

Mal Peet died Monday at the age of 67. I’m going to revisit some of his writing today. You should, too.

PCP Three of Clubs: When I Was the Greatest

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when i was the greatestWhen I Was the Greatest

by Jason Reynolds

Atheneum, 2014

This funny, gritty, tender story follows three young men growing up in Bed-Stuy, navigating the pressures and tensions that would pull them up or drag them under as they make their way to manhood. There’s Ali, bright, respectful and curious; Noodles, tight, irascible, and full of bravado; and his brother Needles, sweet, fragile, and genius. Needles struggles with Tourette’s, a syndrome his neighborhood doesn’t really understand, and finds solace in knitting (Ali’s mother’s very good idea), something else not everybody gets. Ali and Noodles have his back, until one night, at a house party, all hell breaks loose, and everything breaks apart.

There is so much to love here. The crisp writing crackles with wit and rings with authenticity. The exploration of maleness, and the ways in which young men are called to define themselves, is bare and nuanced. Every single character lives and breathes in three dimensions. But for our playing card purposes, it is these boys’ inextricable relationship that beats at this marvelous novel’s heart. Theirs is a special bond, and no matter what comes at them, they belong to one another.

For those looking for an especially immersive and gratifying experience, I recommend Random House Audio’s extraordinary audiobook recording, narrated by J.B. Adkins.

LeUyen Pham to deliver the Butler Lecture!

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LeUyenPham

Award-winning and best-selling author/illustrator/graphic novelist LeUyen Pham will deliver her lecture “Wandering Wonderland: An Immigrant’s Story Told Through Books,” on Thursday, March 5, 2015. Pham’s work includes a delightful variety of picture books, from the Orbis Pictus honor The Boy Who Loved Math by Deborah Heiligman and the Freckleface Strawberry books by Julianne Moore to her own stories Big Sister, Little Sister and A Piece of Cake; illustrations for the New York Times best-seller The Princess in Black by Shannon and Dean Hale and the Scott O’Dell Award winner Bo at Ballard Creek by Kirkpatrick Hill; and a range of graphic novels with Jordan Mechner and Alex Puvilland, including Prince of Persia, Solomon’s Thieves, and Templar. For this, the third annual Butler Lecture, Pham is literally “drawing” on her own childhood, producing a series of comic panels that explore her earliest experiences with particular books for children.

The lecture will take place at 6 p.m., followed by a reception with refreshments and a book sale and signing; it is free and open to the public, though registration is required. This an evening not to be missed.

To register, please visit: http://gslis.dom.edu/newsevents/butler-lecture-2015-featuring-leuyen-pham

For more information, please contact me at tbarthelmess@dom.edu.

The Butler Lecture is generously underwritten by the Butler Family Foundation.

PCP Two of Diamonds: My Book of Life By Angel

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my book of life by angelMy Book of Life By Angel

by Martine Leavitt

Farrar Strauss Giroux, 2012

The grief surrounding her mother’s death and the havoc it wreaks on her family pushes Angel to breaking. She slips onto the streets, and soon is in thrall to charming, malevolent Call and his “candy.” At first she’s doing favors for his friends, but in short order she finds herself working a corner to support herself and her habit. She is broken and resigned, until Call shows up one evening with eleven-year-old Melli in tow. Angel searches her soul to find an untapped store of resilience and resolve, and sets out to rescue Melli, and maybe, herself.

Leavitt writes in stunning, atmospheric free verse, and somehow manages to craft crystalline beauty from brutal, harrowing circumstances. Angel’s first-person narrative swings between blunt resignation and fierce defiance, beautifully articulating the confused despair of her gradual destitution and the clambering strength of her willful climb back up. It’s a staggering piece of writing–searing and evocative–and leaves the young reader with a profound understanding of the complex circumstances some teens face, full of empathy and free from judgment.

YMA thoughts

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There were lots of surprises at the ALA Youth Media Awards this past Monday morning (you can read about all of the winners here) and they have already been much celebrated, dissected, and critiqued. I have my own thoughts (don’t we all) which I offer as a list, because I fear if I started writing something long form I’d be here until April. And I have some snow to shovel.

So, in no particular order, here’s what I think:

1) Diversity won the day. Everywhere. The Newbery medal and both honor books. The Wilder (ALSC lifetime contribution) and Edwards (YALSA lifetime contribution) awards. The Caldecott medal and three of the six honor books. The Arbuthnot lecturer. Three of the five Sibert honor books. The Geisel award author. Not to mention the slates from the Belpré, the Coretta Scott King, the Schneider Family, and the Stonewall, all of which are diverse by nature. Everywhere!

2) Back in December, in a comment on the Calling Caldecott blog, I suggested that it was entirely possible for This One Summer be recognized by both the Caldecott and Printz committees. Nobody was buying it. This is me, gloating.

3) Some of my favorites were overlooked. Harlem Hellfighters, The Misadventures of the Family Fletcher, The Turtle of Oman. But I still get to love and champion those books, and now I get to (re)acquaint myself with other books that other folks find to be extraordinary. It’s hard to think of that as a problem, really.

4) Some things I really don’t like were recognized, too. And that’s a terrific opportunity to remember that people see books differently from how I do, and people see the awards differently from how I do. And, ultimately, that the greater the variety of taste and appreciation we have among our ranks, the better able we are to meet the many different literary needs of the young people we serve. Win win, as it were.

5) What did you think?

harlem hellfighters Levy_Front_final 91xfx6cxaRL._SL1500_

 

PCP Two of Clubs: Denied Detained Deported

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denied detained deportedDenied Detained Deported: Stories from the Dark Side of American Immigration

by Ann Bausum

National Geographic, 2009

Negative space is an artistic construct that looks at the visual space around or between subjects as a place in an image where meaning can exist and communicate itself: objects can be defined by their own outlines, or by the outlines of adjacent objects. The construct has application in the study of literature, too, as we consider how an idea is shaped not only by its own definition but also by the definitions of related concepts. As we seek to understand “belonging” in books for young people, then, let us look not only at books that celebrate someone’s place in a particular community, but books that consider the refusal of such membership, too.

Ann Bausum applies such an approach to American history in Denied Detained Deported: Stories from the Dark Side of American Immigration, seeking to understand how people came to this country, by looking deeply and carefully at a number of situations where that arrival was thwarted. She begins with the familiar Emma Lazurus poem that appears on the plaque at the base of the Statue of Liberty, followed by a contemporary poem by Naomi Shihab Nye that offers a decidedly less welcoming vision of the US border. From there Bausum investigates a number of historical events, each titled with a different form of alienation. “Excluded” looks at the Chinese Exclusion Act of 1882 which left Chinese immigrants ineligible for citizenship until 1943. “Denied” tells the story of the St. Louis, a ship carrying hundreds of German Jewish refugees that the US turned away in 1939. The author captures the events with arresting clarity, engaging the reader’s empathy and outrage with her precise language and documentary research. And on top of the harrowing stories Bausum posits questions about our contemporary treatment of those newest to our country, often subjected to xenophobic mistreatment and persecution.

By exacting the nature of fearsome, systematized alienation, Denied Detained Deported delivers a powerful picture of how important it is to belong.

PCP Ace of Spades: The Disenchantments

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11699055The Disenchantments

by Nina LaCour

Dutton, 2012

Colby and Bev have been saving for years (and years) for their year-long-backpack-around-Europe-before-college-trip. It’s going to be the best. They’re best friends, after all, and, well, Colby is pretty much in love with Bev. Except Bev isn’t going. She’s going to college instead. She applied ages ago. Sorry.

To make matters worse (or not quite so bad), Colby will be spending the summer before he’s not going to college traveling around with Bev and Meg and Alexa, The Disenchantments, managing their Pacific Northwest tour from his Uncle Pete’s VW van. There is some road-trip revelry here, and a goodly amount of deep adolescent angst, that keep things moving and give us plenty to think about along the way. But the novel’s real genius comes from profound clarity and resonance with which LaCour paints Colby’s circumstances. To be sure, not many of us have experienced this particular turn of events, but she makes something universal of the skittish confusion and achy disorientation that come when the dependability of high school gives way to the unknown of what comes next. It’s no easy path to tread, and Colby’s way through is thrilling and sad and powerfully affecting. By getting the trauma just right, LaCour makes the resultant growth immediately recognizable and especially gratifying.

The results are in

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As part of the fifth annual Dominican University Caritas Veritas Symposium the Butler Center staged a Book Identity Project through which we solicited from members of the university community a book (or six) from childhood that contributed to their identity. Participants were given an old-school check-out card asking for the book and we lined the front door and window of the center with old-school check-out card pockets to receive them. We had a tremendous response, with 101 books listed on 86 different cards.

identity cardsThe submissions are fascinating, with a surprising variety. To be sure, the collection includes some well-loved, to be expected titles. Where the Wild Things Are gets three mentions, and Dr. Seuss shows up six times, twice for The Cat in the Hat, twice for Green Eggs and Ham, and once each for Oh, the Places You’ll Go! and One Fish, Two Fish, Red Fish, Blue Fish. I’m not surprised to see Louisa May Alcott or A.A. Milne, C.S. Lewis or Lewis Carroll (or Robert Louis Stevenson) in the mix. The single most-cited title is Shel Silverstein’s The Giving Tree, with four mentions, which is something of a surprise, not because it’s a book I don’t care for (indeed, I don’t care for it) but because it seems to have the sort of nostalgic perspective that I never thought spoke strongly to children. Consider me schooled. I was somewhat surprised, too, to find books outside the children’s canon, by the likes of Hemingway and Steinbeck and Dwight D. Eisenhower. We didn’t specify that the book needed to be a book written expressly for children, just that it resonated in the participant’s childhood, so it makes perfect sense that books like these would show up. It’s a great reminder of my own myopia, that I automatically understand young people’s reading through my deep engagement with the body of literature I study. Schooled again!

Quite a few series made the cut, including Nancy Drew, The Boxcar Children, The Chronicles of Narnia, and, of course, Harry Potter (I was 32 when Harry Potter and the Sorcerer’s Stone was published, and it’s just a little sobering to realize how many of our students read it as children). Alexander and the Terrible, Horrible, No Good, Very Bad Day got two mentions (I wonder if those folks saw the movie) as did The Runaway Bunny. Andrew Clements’ Things Not Seen, published in 2004, is the youngest book mentioned, and the oldest is Henry Wadsworth Longfellow’s Song of Hiawatha, first published in 1855.

Here’s the complete list. Check it out. Are you surprised by what you see? And while you’re at it, let us know if you can identify the authors of any of the first few books listed, unfamiliar to us.

stephan and karaHere are Butler Center Student Assistant Kara Pauley and LISSA President Stephan Licitra collecting entires (and passing out candy). It sure is great to have such friendly, diligent assistance.

 

Oh, and for the record, my choice was Spectacles, by Ellen Raskin. It’s a great book. You should check it out.spectacles

Paperboy

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the paperboyPaperboy

by Vince Vawter

Delacorte, 2013

audiobook by Listening Library, narrated by Lincoln Hoppe and Vince Vawter

As 2014 ALA Annual approaches I find myself, as ever, catching up with the award-winning books of the year, in anticipation of the upcoming conference’s many festivities. I just finished listening to the affecting recording of Newbery Honor-winning Paperboy by Vince Vawter, a semi-autobiographical story of a boy with a stutter coming of age in Memphis, TN in 1959.

The entire novel takes place over the course of a few weeks in the summer before 7th grade. Our protagonist, whom we come to know as Vince at the end of the book, takes over his friend Rat’s paper route and though his interactions with the people he meets as a consequence learns about himself and his place in the world. I will leave the details to you (if you’ve read the book you already know them, and if you haven’t, I don’t want to spoil them) but I do want to look at a pivotal scene where Vince and his guardian find themselves in grave peril, due, to some degree, to Vince’s disobedience. There is risk of real bodily harm, death even, and yet in the moment of danger there is no guilt and no reproach, only devotion and commitment. I credit the author for his keen characterization and careful plotting. He telegraphs none of these feelings, focusing instead on the circumstances and allowing the emotions to course underneath, organically. It’s a beautiful piece of writing, successful for its simple clarity and for the well-crafted build-up before it.

The scene has been much with me of late. Beyond its own literary resonance, it speaks to my understanding of the news of the day, specifically the aggressive scrutiny of prisoner of war Sgt. Bowe Bergdahl negotiated release. There are some who proclaim Sgt. Bergdahl a deserter who besmirched his homeland’s good name. They see his exchange for five Guantanamo-detained members of the Taliban as an abominable expense of geopolitical capital. They call him a traitor and thereby invalidate any claim he might have for American support. But my recent experience with Paperboy reminds me that our relationships have value expressly because they are not dependent upon our perfect behavior. We are allowed mistakes. Those who love us and assume responsibility for us take care of us. No matter what. I would hope that a soldier putting himself or herself in harm’s way could expect no less of his or her government, regardless of whether or not that soldier had stepped afoul of the line. I imagine that the circumstances surrounding Sgt. Berghadl’s initial disappearance will be investigated, and that strikes me as wholly appropriate. But I’m thankful and proud that the United States Government negotiated his release based upon his citizenship, not his conduct.

We all make mistakes, and none of us would want to be defined by our worst ones. Life is so very complicated, and how lucky we are that we have fine books like Paperboy to help us make sense of it.