Butler Bookshelf

With the beginning of fall comes many big changes in a child’s life, and with those big changes can come big emotions! For this week’s Butler Bookshelf, we’re taking a look at some of our picture books about feelings. Whether you’re feeling sad, shy, angry, or excited, these books have something for you. Our feature pick is I Hate Everything by Sophy Henn. This little ghost knows one thing for certain — they hate everything. But their friend’s not so sure. Do they hate sweets? Flowers? Dressing up? As the rainbow of lovable objects goes on, the ghost realizes they may not hate everything, after all.

Check out more picture books about emotions below!

Bear Feels Sad
Karma Wilson
Illustrated by Jane Chapman
Simon & Schuster Children’s Publishing/Margaret K. McElderry Books
Available now!

I Hate Everything!
Sophy Henn
Simon & Schuster Children’s Publishing/Beach Lane Books
Available now!

Shy Me
Sandra V. Feder
Illustrated by Ashley Baron
Groundwood Books/House of Anansi Press
Available now!

Teacher Jitters
Julie Danneberg
Illustrated by Judy Love
Charlesbridge
Available now!

You Are a Burst of Color
Choi Sook-Hee
Translated by Jiun Kaier and Sarah Kiaer
Charlesbridge
Available September 9th!

How To Release Your Grumbles: A Review of Grumble Boats 

Grumble Boats 
Written by Susannah McFarlane 
Illustrated by Tamsin Ainslie 
Published by Charlesbridge 
Ages 3-6 
Available April 15, 2025 

Who helps you release your grumpy feelings? Emma doesn’t know how to release her grumbles when her parents don’t let her go to the pirate party with her brother. After Emma is dropped off at her grandma’s house, Grandma sees how upset Emma is and quickly comes up with a solution. Together, they walk to the beach, draw their grumbly and grumpy feelings, and watch them sail away after folding them into paper boats. After they say goodbye to their grumbles, Emma feels much better and is ready for a fun day of playing and eating grilled cheese with Grandma. 

Susannah McFarlane presents readers with a simple yet well-written story about a young girl coping with her grumpy feelings. With straightforward text, she shows why Emma is upset and the effort that Grandma puts into cheering her up. Through Grandma’s character, McFarlane writes about an easy way to release your feelings: by drawing them out and releasing them to sea. She thoughtfully shows Grandma helping Emma move on from her grumpiness without invalidating her feelings by reassuring her that she would have been an excellent pirate as they watch their grumbles float away. There are also instructions at the end that show readers how to make their own grumble boats so they can participate in this practice in mindfulness. Ainslie’s watercolor and pencil illustrations pair well with the text to bring Emma’s world to life, illustrating Emma’s grumpy facial expressions especially well. The illustrations are detailed, and Ainslie utilizes a muted full-color palette, which has the same calming effect that Grandma’s grumble boats have on Emma’s feelings. Grumble Boats is a lovely addition to any classroom library or program to give young readers a chance to learn about healthy emotional regulation. 

Come Find Me: A Review of Frankie and Friends: The Lost Tooth

Frankie and Friends: The Lost Tooth
Christine Platt
Illustrated by Alea Marley
Walker Books/Candlewick
March 18, 2025
Age 5-8

If Frankie loses a tooth while she’s away from home, how will the tooth fairy ever find her? Excitement over the very first loose tooth, and anxiety over its timing, inspire imaginative problem-solving by thoughtful and determined Frankie and her friends—a group of sentient toys—to ensure a visit from the tooth fairy. The group brainstorms solutions as they prepare for a long-awaited trip to accompany Mama to a journalism conference. When Frankie loses her tooth at the conference, she is joined by other aspiring young journalists to find her tooth and guarantee it makes it to her pillow.

With gentle prose and the excitement of her young protagonist, Platt centers the joys and concerns of a young elementary schooler and the importance of friendship in this third installment of the Frankie and Friends series. Introducing potentially new vocabulary in all caps, calls out the opportunity to decode the word based on clear context clues in the text. Though there is a definition list included in the backmatter. Themes of teamwork and communicating worries are spot on for the social-emotional learning of the target age group. Digital illustrations in a hand-drawn, colored-pencil style are vibrantly hued and full of pattern. Full page, full bleed images sit alongside smaller inset drawing to break up the text into manageable chunks, and closely mirror the text to aid in decoding. Depicting sweetly expressive faces and a loving bond in the African American family, Marley’s illustrations help place the series as one to depict an ordinary, happy childhood versus struggle and strife.

The latest Frankie and Friends offers newly independent readers a spunky heroine growing into her own with the loving support of her family and friends.

To Hug or Not to Hug: A review of Hugs Are (Not) for Everybody!

Hugs Are (Not) for Everybody!
Ella Russell
Illustrated by Udayana Lugo
Owlkids Books
March 18, 2025
Age 3-7

At a magic birthday party full of both cuddlers and the squeeze-averse, an enthusiastic young guest learns that not everyone is comfortable with hugs in the same way. Hugs are for hello and goodbye. Hugs are for celebrations and congratulations. Though hugs are not always welcome. Some prefer a wave, a high five, or a bum-shaking secret handshake. As the party continues, she learns that all she has to do is ask to make everyone feel safe.

Russell gently explores boundaries and respect in this sweet and simple picture book for pre-school to early elementary years that reunites the cast from Pink is For Everybody! She centers themes of consent and body autonomy in a comfortably familiar setting, with characters in non-threatening scenarios, like arriving at a friend’s home and wishing happy birthday. Lugo amplifies the theme of individual preferences with a cast of diverse backgrounds and personalities, and a variety of layout styles showcasing different types of engagement. Her engaging watercolors, candy-hued palette, and expressive faces capture both the joy of the party and the anxiety of some partygoers. Instances of onomatopoeia and clearly delineated dialog lend themselves to exuberant storytime inclusion and will make the shiest kids feel seen.

A wholesome tale of consent that makes introducing this often sensitive topic a piece of (birthday) cake.