Bedtime Q&A: A Review of Goodnight, Butterfly

Goodnight, Butterfly 
Ross Burach 
Scholastic Press 
March 3, 2022 
Pre-k to 3rd grade 

In the third installment of Ross Burach’s Butterfly series, the titular Butterfly is awakened in the middle of the night by Porcupine as they are eating their breakfast. Initially, Butterfly is ecstatic at the new experience of being awake at night, learning about what it means to be nocturnal through word play and asking more questions than poor Porcupine can handle. The art shows this through an abundance of brightly colored images in Burach’s signature naïve style of mixed media art. However, as Butterfly tires, the fast pace of the early pages slows down significantly. The puns and traditional wordy jokes of the front half are replaced by sight gags, like Butterfly accidentally mistaking Porcupine for a pinecone. Questions from Butterfly peter out, even if Butterfly is still trying to make night time adventures for the pair to get into, and Porcupine is able to give some advice about falling to sleep. Burach shows the switch in tone using the color of the space between illustrations from a white to the more calm colors of lavender and indigo towards the end of the book. Burach’s use of framing and pace in service of comedy is impeccable. In early jokes, he uses cluttered dialogue and page turns to build tension while releasing it through punchlines. These are given room to breathe by the switch to a single, simpler composition for a spread. While the jokes are less set up later in the story, to aid in winding down, the page turns are still used to hide silly fun, like Butterfly using a book as a bed. In the last few pages, Butterfly finally decides to stop fighting sleep and Porcupine encourages them to think about calming ideas, teaching readers that if you want to go to sleep, it’s better to focus on calm ideas instead of questions you cannot answer. A colorful and funny addition to any bedtime book collection, just be careful, it might be too much fun to fall asleep to.